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                    <text>TAS

RAZZBERRY

ISSUED

BY

THE

COLDWATER

ROTARY

CLUB

x
“HE

PROFITS

MOST

WHO

SERVES

BEST”

SEETl. 7, 1oo7

VOL, 3—NO. 13
THE

DISTRICT

ASSEMBLY

The big receni Rotary activity is the District
illac, August 22-24.
The Cadillac Club took the
and

certainly

extended

itself

to

make

it

a

Assembly at Cadoccasion seriously

success.

Red

McKnight

and the Ed and their wives went up Sunday evening and took in the
first day’s session.
The get-toge.her mecting at the Gham
Club Sunday evening
was well workod out and very enjoyable.
The games and
stunts
were interesting and amusing.
The greater part of the crowd was
there that evening, the distance from most clubs being
so
great
that it was
resented by

impractical
to start Monday
morning.
Quincy
was
repElwyn
Bodley and his wife. Bronson was not represent-

ed.
On

Extension

sidered

the

Monday

and

a

Rotary

program

report

territory.

was

Frank

given

Werk

of

has

Barnes

various

been

talked

done

towns
in

about

which

the

past

Rotary

are

year

con-

to-

ward the establishment of clubs in the following towns: Blind River, Ontario; Harbor Springs; Leslie; Lake
View;
Three
Rivers;
Plainwell;

Otsego;

ah;

Nashville;

Some

The
cf

ing,

however,

nace:

ority

Hart

and

Rockford;

Grand

Reed

Ledge;

City;

Cassopolis;

Masovi.

Shelby;

Benzonia;

Fremont;

Newago;

renorts
cn most
of these
places
were
quite
them may
succeed in forming clubs this year

appear

Rotary

in

to

ba

and

this

rather

seems

vicinity

hopeless.

Denny

Clancy

Beul-

St.

Ig-

discouraging.
but the maj-

reports

on

Read-

optimistic
over
the
prospect
of success.
would
be substantially
strengthened
by
a

club ‘there. The Coldwater and Quincy clubs can be of substantial
assistance to Denny and should neglect no o»portunity to help him.
‘Any of the fellows who have friends in Reading should boost.
Stub Bemer, Superintendent of Schools at St. Johns, gave an
especially interes‘ing
practical suggestions

talk
on International
Service.
He
gave
many
for a censcientious effort in each club to fur-

ther the feurth object of Rotary, Some
in the notes which follow this article.

of

them

will

be

mentioned

The most amusing feature of the assembly was the talk of Don
Harringten,
President
of the A\bion club,
on Club
Publications.
He was to be followed by Walter Wood of Niles, Past District Governor, whose subject was tle Rotary Magazine.
Harrington,

however,

had

prepared

his

address

the

ground

before

he

knew

that he was limited to local publications and devoted most of it to
the Rotarian. After he learned about Wood’s talk, he said it was too
late to change his speech. He had prepared it from material furnished

by

R.

I.

and

went

over

same

Walter

intended

to

cover. The result was the latter had nothing left to talk about. He
spent five or ten minutes in a very laughable explanation of hig predicame:t. Harrington himself had talked quite humorously and the
whole incident brought roars of laughter from the crowd.
—-—-—-0--------

Kim
nity

in

Sigler

attaining

Walter

ous vein
speeches

handled
a

Wood’s

the

sustained
talk

in him which no
he ever made.

was

ons

Assembly
interest

well.

He

with

presided

dig-

throughout.

to)

really

had

funny.

It

suspected.

brought

It was

out

one

a

of

humor-

the

best

�THE RAZZBERRY
Assembly

The

and conveniently
Northwood Hotel.

sessions

located

held

were

building.

the

in

Elks

guests

The

splendid

Temple,

a

were

Fred

the

at

housed
;

were

0
Among

the

Past

District

Governors

present

Fred Hill, Frank Barnes, Ray Dresser and Bill
fine talk at the luncheon Monday noon. Both he
attended the convention at Nice this summer.
(0)

Gage,

Otto. Bill made a
and Frank Barnes

Joe Grant,
passioned plea

President of the Battle Creek
for greater Rctary activity in

club, nade an
bringing about

trade

practices,’It

but

laws

and

was

well

received

in

our

imfair

opinion

is based upon a mis-conception of the function of Rotary. If Rotary
were ever to allow itself to enter the legislative field, it werld be
in constant trouble. It could not avoid advocating
controversial
measures which would lead to feeling among its members. Then too
such a precedent would encourage every member who kad a pet
project to undertake to enlist Rotary in the fight for it. Just as much
ill

will

would

‘be

engendered

of

the

International

did do. It is probable
mistaken policy.
One

by

the

what

it

refused

organization

could

to

not

do

CC)
Service

as

by

what

survive
:

suggestions

of

such

Stub

it

a

Bemer

was that a good sized delegation from clubs of this district
visit
some Canadian club as a gesture of good will. That would not be
a difficult thing for Coldwater to do, especially if there happened
to be a ball game at Detroit.
0:

Another
more

foreign

exchange

the

was

suggestion
clubs.

of

letters

i

one

with

or

0

contribute a. dollar
Another was that each member of a club
clubs all over the world
many
as
to
sent
be
each
dollar
a
that
and
dollar would be sent
as there are members of the local club. This
with it represened
purchas
be
trinket
with the request that some
back here.
tative of the industries of the town, and gent
0

accompanied by an artSomeone suggested that such letter be
:
ies.
industr
local
our
of
ve
entati
icle repres
ent present the club
Another suggestion that each Past Presid
would result in quite
this
ter
Coldwa
of
with some flag. In the case
a collection of flags.
——0
Still
sion

of

The

were

agnother—a
Rotary

above

eminently

Incidentally

ful.

might

were

map
be

by

no

practical.
the

trip

the

of
hung

in

world
O

the

all

means

marked
club

the

to

show

the

exten-

which

room.

suggestions,

most

of

was

very

delight-

J SaGi ay, one
with

Red

and

his

wife

0

‘‘Hvery member is a
Someone at the Assembly well said:
machinery the cogs do
most
unlike
but
Wheel
Rotary
the
in
with use’.
wear out but become better

cog
not

�THE

RAZZBERRY
AUGUST

The

month

started

with

ACTIVITIES

the

boat

trip,

which

was

a

fine

Rotary

activity. It served to vary the ordinary picnic idea which has grown
somewhat monotonous. A lake picnic is attended by many members
and their wives from a sense of duty. There must be something
novel about our entertainment to keep it enjoyable. We
have in
mind
from

a scheme
for next
summer
anything we have yet done.

which

will

be

entirely

different

0

'The program at the luncheon that same week was a discussion
of the Youth Movement
which is being undertaken
as a district
activity. If successful it will be a new and distinctive activity in
which.this district will blaze the trail.
The picnic at the shack took the next meeting.
George Vail
said that was his idea of a good time. We have yet to hear of any
member

who

not

to

need

mer:bers

did

be

not

enjoy

changed.

would

enjoy

himself.

It

an

could

This

well

annual

is

be

outing

an

activity

an

annual

when

he

which

event.

was

does

All

the

to

put

free

on his cld clothes and lounge around in the congenial company of
his fellow Rotarians.
iwo weeks ago Paul Winger’s talk on the Miami Injuns was
wonderfully interesting. Paul himself made a hit with the club. He
is a fine, upstanding type of young Rotarian. He took so good naturedly
the
Ed’s
time to give his

club

fell

for

him.

boner
which
talk and had

compelled
him
such a winning

to come
the
second
smile that the whole

Tue las: meeting of the month was devoted to International’
Service. Dr. Foo’s talk was so interesting and instructive that it
rounded
out the month’s
activities
in wonderful
style. His success
as an American
physician illustrates the broad base of similarity in
the whole human
race. The Chinese and Aryans are about as different

as

can

be

imagined,

yet

himself to American customs
in competition with what ws

he

comes

here

and

successfully

adapts

and becomes conspicuously successful
smugly believe advanced race.

-——0
By no means the least important of the month’s activities was
the capable manner in which the club handled the strike situation
at the last meeting.
.
—-—0
Since Dan Hodgman, the third members of the August committee,

their

was

not

share

available,

erate

in

grief

Sonny

Bauer

message

making

with

and

the

Ed

have

had

more

than

five meetings, besides the lake trip.
——0o
The program committee for September is Roy Newberry, Rex
Kiess and Mort Olds.
(6)
The Secretary’s News Letter for last week contains President
Duperrey’s

of

to

Rotary

best efforts to that

end.

the

lt

clus.

better

than
0

is

a

ever

cordial

before

invitation

and

to

a pledge

coop-

of his

;

the 9th
The 35th District is no more. It started as a part of
and was
district, then became the 18th, which became top heavy
to 151.
split into the 28rd and 35th, The number hag been changed
but? the
Just what made the redistricting necessary is not known
Beard of Directors doubtless had adequate reason TOU "It;
Sone
to ee
There are
should function.
committee
membership
The new
belong to Rotary.
several people in the community who ought to
,

�ATE

i|

ASST

THE

eee ae

RAZZBERRY

W now have on our exchange list the Eastern Rotary
‘which is quite a pretentious magazine. It was formerly ‘The
and is the official organ of District
No. ‘ 89, A comprisi
SUrr
prising the
Clubs

of

Ahmedabad

-

Amritsar

-

Bangalore

-

Baroda

-

Wheel,
Chaka’
Rotary

Bombay

-

_Caleutta - Cochin - Colombo - Jamshedpur - Karachi - Lahore Madras - Poona - Rangoon - Sholapur and Thayetmyo, It is published in Bombay.
The Governor of the district is Honorable Sir
Phiroze Sethma.
C—-—_—

The June number contains the speech on ‘Rotary and a Crippled Child’ given at the International Convention at Nice by Paul
King, who is now President of the International Society for Crippled Children.
---——0
The 4H Club Fair is not a Rotary project but any Rotarian
who

is

not

boosting

vice

of some

kind

it

HONORARY
At

with

is not

contrtbutious

fulfilling

the

of

ideal

or

time

Rotary

or

ser-

Service.

MEMBERSHIP

the

1933

(Beston)

Rotary

delegates

from

the

adopted

to the
lows:

money

of

standard

Honorary
first day of

clubs

club

Convention,
an

constitution

the

amendment

reading

as

fol-

membership
shall
terminate
July next after the
date of

on
the
election,

year

thereaft

provided, however, that the Board of Directors in
their discretion may, by resolution, continue such
membership

honorary

er.

Such

by

the

Board

although

to

from

year

the

person

mombership

honorary

may

be

so

continued

has

elected

ceased to reside within or to be definitely associated with the territorial limits of the club.
0
Governor

monthly

Kim’s

first

ever

enjoyed

communication

is

to

it

a

formal

terter written from qa very intimate and friendly standpoint.
to the club presidents:
“T hope this year you will “put something on
the ball’ and make it the best year that Rotary
has

in

See

Club.

your

He

let-

says

that

your programs are good and give your commitsomething to’ do, and remember
tee chairmen
that your job is io be a leader.”’

——

ee (Q——

y noon, August 9th, had
Earnest Giesecke left Honolulu Monda
10th ana
August
Tuesday,
,
rancisco
i
San
in
friends
lunch with
day, August
Wednes
o
Colorad
snver,
De
in
brother
breakfast with his
qth ato OU,
HONOLULU ROTOGRAM
What a small world!
Coldwater

to

is

getting

rise

the

reputation

about

the

inertia

week’s

sit

down

of

being

of
life.

Age

a live
preeds

club.

It

is

inactivity.

task
a number of unusual things
We have been able recently to put over
with it, installation ot
ale
Hillsd
to
trip
the
Show,
el
—-the Minstr
the picnic at the shack,
Red,
King
of
ing
crown
the Quincy Club, the

nosmall

boat

trip,

last

strike.

None

of

these

were

ac-

the
were well worth while.
complished without some resistance but all
It does not break any
club.
the
to
ter
charac
give
they
ned
Combi
be a good club and a
to
esty
immod
t
withou
said
be
ean
record but
ty.’
communi
in-the
useful institution

:

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                    <text>To Have Arrived Is Tragedy:

THE

ISSUED

This Year Must Be Even Better!

RAZZBERRY

BY

THE

COLDWATER

ROTARY

CLUB

x

_ “HE PROFITS MOST WHO SEHWES

SEPT. 15, 1936

BEST”

—

VOL..2=NO. 23

The C entennisie Over
The Centennial is over.
To the men who planned and carried it out
it was something of a nightmare. It was'an enterprise of more than ordinary magnitude:
They spent’ many anxious hours and sleepless nights
in worrying over it.
But the celebration was. a success.
The parades were wonderful’y
The pageant was a:great credit to.those who planned and carried
fine.
'Bhe special features all came
The fair was a real success.
4t out.
through -well. aoe

One

of the men

who

much

to. the

success

to organize

the

community

contributed

of the

Cen-

In speakirg specially of him we do not mean
tennial was Bill Milnes.
to disparage the work of Gerry Kleindinst, Bob Sharer, Hi smith, G rden: Schlubatis, Elmer Dobson, and others, but the financial solvency of
He attacked his problems
the enterprise was mainly due to his efforts,
He did
with enthusiasm tempered with hard-headed business judgment.
not hesitate to tackle the unpleasant.job of solic:ting the necessary
He spent many days of hard work with the result that the comfunds.
munity has paid for its spree.
Bill’s great pleasure in life comes frem causing happiness to others.
He is a Rotarian.and ought to belong.

Tt is not as easy

as it once

celebration like the Centennial.

was

It is a regrettable

for a preat

fact that the town

is

passing of many of the old commore impersonal that it usta was. The
mercial institutions, the prevalance of @¢hain stores, the automobile, the
radio, and other space anihilators, tend to rob us of our community spirit.
One of the greatest weapons with which a community can combat these
centralizing agencies is the Rotary Club.

A Good Coldwater Booster
At one time
Bill Faulkner and wife have gone back to Ashland.
But in the bank crisis a few
Bill planned tc make Coldwater his home.
He is too busy now io
years ago his bank requisitioned his services,
leave Ashland.
He not cnly
He is one of the best of Coldwater boosters however.
comes here each summer but threugh his influence Coldwater has beHe brought
come the summer home of a number of Ashland families.
herve Walter Mayo, Colonel Forgey, and other men of personality and
He is himself a typical southern gentleman well-matched
distinction:

with a charming

and

congenial wife.
XK

j

We learn there is an attendance trophy
stopping temporarily with the club that has
Greenvil'e had-it. Charlotte
ceding month.
We
to entertain that trophy some month?
attention to Frank Mooney’s proposition,

roaming around the district
the best record for the proHow would it seem
has it.
again respectfully call Put’s

�THE

RAZZBERRY

Thank You, Mr. Kellogg
The Kellogg. foundation has’ now been in Branch County a year.
We
have had the opportunity: to observe its workings and to measure its
usefulness.
We realize-more vividly than- we did a year ago the intelligence with which this fine’philanthrophy’ is planned, the generosity with
which it is financed, and the executive ability with which it is managed.
There is always danger that such an institution will be taken Zor
granted:
that’a community will fail to appreciate its benefactors.
We
cannot afford to make that mistake—not because of its effect on the
benefactor but because of its influence on ourselves.
Gratitude is classed among the unpleasant emotions.
But in the
building of character, either in an individual or a community, proper
appreciation of favors cannot be overlooked.
Although the Rotary club doesnot represent the community
officially yet as it originated the idea of the Branch County Health Unit
and prompted the organization which secured it, we probably would not
be assuming too much to express the gratitude of the City of Coldwater
and the-whole County of Branch to Mr. W. K. Kellogg for ‘his wonderful
service te the county.
The Razzberry believes itself authorizd to act as
the mouthpiece of -the club in that exprssion.
We thank you sincerely Mr. Kellogg.
We hope that from your ben2faction you..experience the pleasure and gratification which is the reward of a‘good deed.
Although you do ‘not belong to Rotary you are a good Rotarian.
Dr. Fred Leeder and his associates are entit’ed
working out of the campaign of the Foundation.

to much

credit. in the

Incidentally, John Hardy
club. and. has. been gee
in
credit mark.

subject
service.

to the Rotary
Give John a
:

first proachéd the
.securing this fine
x.

Warner Van Aken is rapidly completing the business change whichputs him on Chicago Street.: Members of the club will be glad to see
Warner and Gladys in their new location because it means progress—and
progress is the life of business.
In fact, it is life itself..-We can’t stand
still.
We are constant’y going in. one.direction or the other.
Here’s
hoping Warner’s new move will, prove : a wise one and will furnish added
impetus toward business success.
x
The Ed: missed. the memory expert last week but Bill. Frankhauser
has since. been trying to get us to buy’a lesson from him.
Lord knows
we. need. it badly enough but Bill’s experience with the other one is not
very ppceuaeine
. We inderstand he ainatet prae up the club.
and several others threatened to resign.
:
ne
-

Walt

Bien, W.

-The Honolulu Rotary club came of age this summer.

J. Carlyle

It was the first

Rotary milestone on the highway to the Orient—a. highway that has been
worn smooth in the Jast twenty-one .years:
Rotary has been a great, influence in the Oriental nations and,a connecting link between the Orient
and the Occident.
x
Don’t lose track of your eopmittee work nor take your committee
assignment. lightly.

�THE

Farm

RAZZBERRY

Leaders Were Guests

The club was fortunate to have as its guests last Tuesday a. group of
fourteen farm leaders, invited. by Gordon Schlubatis, who came to listen:
to the address of Dr. C. E. Millar on soil,conservation.:
. Dr. Millar is a professor in Michigan.State. College in charge of the
Department of Soil Conservation.
He gave a thoughtful address which
was well received by the group.
The guests were Otis Barnes, Glyn: Havens, Grant Mohr, Floyd Bascom, Starr Copeland, Ed Moore, Garo .Himebaugh, C. O.. Crisenberry,.
Clarence Fenner, John Ralston, Earl Redmond,
M. L. Tyler,=Clayion
Shelby, and Budd Russell.
Dr. Millar complimented Gordon Schlubatis very highly.
an. enthusiastic response from both guests and club and showed
ly he is esteemed in the community.
Starr

Copeland

expressed

_tunity to attend the meeting.

himself

as

highly

with

the

opvor-

He said he had never been invited kefore.

and had considerable curiosity about the club.
while it is to establish and maintain contacts

It all shows how worthwith the wide awake fel-:

lows around the county.

CHARLIE

pleased

It roused
how meh:

PITTAM

SOUNDS

OFF:

“T was very much interested in the copy of “The Razzberry”, which
I received from you a few days ago.
I had seen some reference to this
correspondence in your bulletin, but am glad to see copies of both c-mmunications.
However, my pleasure in the contents of these letters was
spoiled by Secretary Glenn of The Razzberry being so rude as to refer
to Rotary Club Secretaries as “Rough Necks”.
I am sure this must have
hurt your dignity.
Some are good band-leaders and possibly some might
be crooners for all I know, but I am shocked to learn that, if they are
really good secretaries, they qualify for the Order of Rotary Rough ‘Necks.
Since you have been elected, there is nothing I can do to help you exc*pt
to give you my moral support in case you are ever permitted to attend
another Rotary Convention and I happen to be there: = - - =*-= Bey
eenonoluly oe
~8-18-36

WHAT

ONE

ROTARY

CLUB

HAS

DONE

As a practical youth service activity: the Rotary Club of Mani‘a,
Philippine Islands, through the ‘untiring efforts of a committee headed
by Chairman E. L. Hall recently issued ‘sixteen book'tets on the various
professions written by club members and published by the club as a
contribution to the Phillippine Vocaticnal Guidance Association..
These booklets have been placed .in the libraries of 400 high sehcols
and colleges in the Islands and are now being used in twenty-four ..different ways.
The cost of the booklets was reduced by using type. which
had already been set up in the Journal of Education in. which the text
first appeared.
The Philippine Free Press, the largest weekly. magazine
in the Philippine Islands secured the privilege of reprinting all of the
booklets on its students page.
As a result of three years’ efforts by Ro-

tarian

Hall the Government

of the Commonwealth

will make

vocational

guidance an integral part of the new educational system.
It has called
upon Rotarian’ Hall to draft plans for adult education for illiterates. _
Did you know that the French veterans’ organizations recently sent
to the war veterans of Germany this message:
“We say to you German
comrades that the hour has sounded for our reconciliation.
We must
teach our peoples to understand and to agree.”
°
oe
—Iona otoutain:

�THE

RAZZBERRY

What Is Your Hobby?
The London~ Rotarian: has* been running a series of articles by its
members entitled “My Hobby”.
The following is worthy of. reprint.
Since the Hobby series has been started I have asked myself, “What
is my hobby?”
Consciously, I do not think I have one, as I am interested
in so many. aspects-of life. Sub-consciously, I think it is “keeping youthful,” mentally, rather than physically.
Generally I take the attitude of
youth (at any rate, my youth as far as I can remember it) as keing trat
of rebellion.
Why, I ask myself, should anyone be dammed eternally?
Why. should there be extremes cf poverty and-riches?
Why should most
people always be living in fear?
‘Why shou'd pleasant. leisure be so

sparsely spread?

I believe, that these conditions can and mvst ke a‘tered.

I have seen some progress during my life, though !ittle enough.
‘Another aspect ‘of youth is (or rather was) not to be bored but to
enjoy the simple things of life and simple people.
Youth can also adapt
itself to varying environments, and I still try to do. this.
On the other hand. youth thinks it knows everything, and there I
fail to. carry out my. sub-conscious hobby. . Politically, economically, and

socially I am. still.a rebel, I am glad to say, but now

I lack some

of the

courage of youth in proclaiming the fact and pursuing. rebellious rims.
Now, Mr. Editor, you have, if not a hokby, a confession, and that, I kelieve, is what you are really after.
-Tt is rather interesting to note how: one’s physical exertions. have to
change with added years.
I ran on the cinder track as a young man,
then I took up cycling, then hockey and the river, and now golf. and I
suppose bowls. will follow.
Anyway, I am glad to have always prefe rei
to do things rather than watch others do. them, and I am sure many
more- would have the same preference if they had the same. opportunities.

I wonder if Rotary
:

The

can help them.

J. A. MARSHALL

sy.
eG

following

table

Numberof Rotary

shows
Clubs

the

growth

at the

end

of

Rotary:

of the

fiscal year

:

indicated.

16 clubs

. 158 cluks
2,096 clubs
3,349 clubs
3,842 clubs

a
Location of clubs—
PSTRONOE see
teat oak aS

(South
of Equator)
Asia ........
sas

See

ney rans Sab

Eth

(Middle and Eastern)

liao

SS pV

ee rater mes ore cere

14

ee eS

81

:

Australia, New. Zealand and Fiji Islands...
Europe, North Africa. and Asia Minor
.

Great
atin

WIS CN

Britain and

Ireland

gAmeried: 2...

—.....0-202-.200-.-

eee

tT:

re

Dies

che

..

72
436

415

271

ee

2,659

(This computation is inconsistent with itself in the total
clubs because the later figures are as of April-15, 1936). .

number

3,948
cf

JX

John Hardy is editor of the next issue of the Razzberry.
He’s pot
to make it a little better than Bob Sharer’s or Bill Frankhauser’s issue
because the Razzberry. can’t go backward.

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                    <text>Stephanie Burdick
Tiffin University
HUMA 600
Dr. Mary Grennen, TU Advisor
The Tibbits Opera House: 1912

�Burdick, 2

Table of Contents
I. Background/Introduction of the Study
II. John Jackson Management, 1912
A. Legitimate Drama
B. Concerts
C. Lectures, Campaigns, and Misc. Uses
D. Travelogues, Animated Illustrations, &amp; Moving Pictures
E. Vaudeville, Minstrels, &amp; Magic
F. Summary

III. Works Cited
IV. Appendix A-Advertisements of 1912
V. Appendix B-Press Release Photos of 1912
VI. Appendix C-Opera House Datebook of 1912

�Burdick, 3
I.

Background/Introduction of the Study:
The Tibbits Opera House, a Victorian opera house in Coldwater, MI, still

performs live stage-shows via children's theatre, community theatre, and professional
theatre. It also functions as a roadhouse for other entertainers like magicians, tribal
dancers, and musicians. The Tibbits was built in 1882 by Barton S. Tibbits and has gone
through several renovations in its time. Currently, the Tibbits Opera Foundation is in the
process of restoring the theater to the glorious opera house that it was over 100 years ago.
To date, only one book has been published on the Tibbits Opera House, which is a
history of the theater from 1882 to 1904. Compiled by Carolyn Gillespie, a Coldwater
resident who used the Tibbits as her dissertation subject in the 1970s, the book contains
information from 1904 to the present that was scattered around the Coldwater community
and in the newspaper archives in the Branch District Library.
When I began my research, I intended to compile information from 1905 to 1912,
when the archives of the early newspapers ended, or—depending on the amount of
research available—from 1905 to the 1950s, when it was used as a movie theater. As I
began researching, what I assumed was just a few folders of information and a handful of
newspaper clippings was actually thousands of newspaper articles and photos.
While I relied on the Holbrook Index, it quickly became apparent that the indexes
for both the The Courier and Republican papers were severely lacking, and no listing for
the The Daily Reporter was in existence. Instead of relying solely on this index, I began
scanning through every published issue of the The Courier newspaper, which is on
microfilm. Using this method, I was able to acquire over 130 additional newspaper
advertisements, photos, and articles that had not previously been archived for 1912.

�Burdick, 4
In Gillespie's book, A History of the Tibbits Opera House, she mentioned that by
1900, The Courier and Republican newspapers had such a poor relationship with John
Jackson, the manager of the Tibbits Opera House, that they furthered their "attack on
Jackson by not carrying Tibbits ads or providing pre-show publicity and reviews" (104).
This relationship must have remained the same until 1912, when The Courier finally
began documenting advertisements, photos, press releases, and critiques for the Tibbits
almost daily. Prior to that, press coverage regarding the Tibbits came only if it was
publicity for the YMCA, the schools, or local clubs that were holding fundraisers or other
events. Many times between 1905 and 1911, the coverage was as small as a sentence,
naming pertinent information, such as the event and date, which was easily lost in the
disorganized, text-heavy newspaper.
Meanwhile, The Daily Reporter consistently covered theatrical events at the
Tibbits by running advertisements, pre-show publicity, and reviews. In the entire year of
1905, The Courier mentioned the Tibbits only five times, and one of those was for a city
land auction that the powers-that-be decided to host at the Tibbits because of the
possibility of inclement weather. Compared to the 162 advertisements or articles found in
The Daily Reporter from January to May of 1905, it is evident that the coverage from
The Courier continued to be unfair and uneven.
Additionally, there was no set format for where theatrical information could be
found in The Courier. Some information was found under the "Local Happenings"
heading several pages into the paper, which at many times was a mere date and title of
the show or event, and other times it was buried elsewhere in the paper. Many times
there was no headline at all. Furthermore, when headlines appeared above the actual

�Burdick, 5
articles carried by The Courier, they did not lend much help in identifying what was
actually in the article. For instance, one front-page article was titled "Just Heard the
News," when it could have been better titled "Horses Spook: Corwin Pinned in
Accident." The Daily Reporter's formatting had a much cleaner look with specific
headings, such as "Things Theatrical," which was usually found on the second or third
page. Partway through 1912, John Jackson himself began submitting information about
what was happening at the theater, and he titled his column, "Tibbits' Opera House (By J.
T. Jackson)."
The information gathered for this project—specifically the year of 1912— was
compiled from The Courier and The Daily Reporter archives, both located in the
Holbrook Heritage Room at the Branch District Library in Coldwater, MI. Local historian
Randall Hazelbaker supplied some photos of the early years of the Tibbits Opera House,
in addition to the photos that he had published in his books Images of America:
Coldwater (MI) and Images of America: Branch County (MI).

�Burdick, 6

II.

John Jackson Management: An Overview of 1912
John Jackson assumed management of the Tibbits in the spring of 1894, soon

after his marriage to Huldah Henning, the daughter of Joseph Henning, who had
purchased the theater from Barton Tibbits (Gillespie, 99). Gillespie's research covers the
first ten years of Jackson's management of the Tibbits, when he helped his father-in-law,
Joseph Henning. This does not end the Jackson management era, as he was transferred
the property in 1904 by Henning, and managed until 1920, when it was sold to Dennis
Vanes (Gillespie, 99). As previously mentioned, research was lacking for the years 1905
through 1911, in the sense that only one newspaper, The Daily Reporter, covered Tibbits
events, and that newspaper was not indexed. While there is much information that could
yet be gathered from The Daily Reporter for those years, at this point in the researcher's
schedule, researching each day of the microfilm would require an inordinate amount of
time. Therefore, this section will be limited to the year 1912—just over halfway through
Jackson's management of the theatre with his wife—a period about which a plethora of
information from both The Daily Reporter and The Courier is available.
Like those who managed before him, Jackson brought in a vast array of
entertainment for the people of the Coldwater area. Gillespie mentioned that some of the
popular stars were unwilling to perform in Coldwater at the town's lower prices, so
Jackson found it necessary to raise admission prices in 1894, which led to complaints
from the press (Gillespie, 103). Some articles, like one titled "The Edward Doyle
Company," gave insight to the people of Coldwater regarding the cost of actually
mounting a show. The article delves into the fact that there are heavy royalties to pay on
up-to-date plays, that there are heavy company payrolls "whose combined salary in one

�Burdick, 7
week is equal to the entire pay of the old time companies for a month," and that along
with the full company of actors, a vaudeville show of four or five acts is carried ("The
Edward Doyle Company").
Booking the best shows at the Tibbits Opera House was something that the public
wanted, as mentioned in that same article, but a Courier article of Sept 6, 1912 p3, "An
Entertainment Worth While," also states that the public "want scenery and new plays."
Jackson tried to educate the public, while giving them the best pricing that he could.
From 1894 until the end of the research in 1904, many advertisements and press releases
were loaded with the phrase "Popular Pricing," for shows that were 50 cents and under.
Furthermore, for stock company shows that played for a week's engagement, Jackson
admitted ladies free on Monday nights, as long as they were accompanied by someone
who held a paid ticket.
Other advertising tricks, such as testimonials scattered throughout the newspaper,
were used in previous years. In regards to one YMCA lecture series event held at the
Tibbits, Mrs. L. J. Byers said, "I have heard Campanari on three occasions. I consider
him to be worth the price of the course" (No title. Courier, Oct 28, 1910 p2). Another
testimonial in a 1910 paper was by Mrs. L. Sloman, who said, "I heard Campanari last
spring. Am I going? Oh! Certainly. He is perfectly grand" (No title. Courier, Oct 28,
1910 p3). Between testimonials that told the public that the show was well worth the
price, and advertisements or articles educating the public about discounts or about
reasons for high prices (after all, they wanted quality entertainment), Jackson was able to
keep a high attendance at the opera house.

�Burdick, 8
A.

Legitimate Drama
The biggest draw for the Opera House was legitimate drama, whether through a

special one-night engagement from a traveling company or amateur event, or through a
stock company's week-long engagement. Throughout 1912, at least 67 plays or musicals
were produced onstage (see Appendix C-Datebook of 1912). Some additional shows
were mentioned in newspaper articles, but no specific dates were listed, omitting from the
datebook the dates of some 15 other shows.
Even though shows were, for the most part, well attended, as previously
mentioned, the audience wanted a high-caliber show. As early as 1882, the scenery that
was provided by the Opera House had lost its glamour, and by 1886, traveling companies
began bringing in their own elaborate sets (Gillespie, 67). The fascination with the set
pieces still continued in 1912, as many press releases touted how many railroad cars of
scenery were needed for each production. A revival of Uncle Tom's Cabin, which was
seen at the Tibbits in October, was advertised to require "two seventy-foot cars to
transport the special scenery, 30 head of horses, ponies, donkeys, burros, bloodhounds,
log cabin and other novelties to make it the largest production of Uncle Tom's Cabin ever
attempted" ("Martin-Kibble Big Company: Children's Night With Uncle Tom's Cabin").
In September, an Edward Doyle Stock Company production was promoted by saying,
"Not only do they carry all of their own scenery, but furniture, properties, draperies and
light effects ("The Rosary").
The audience's fascination with the technical aspect of productions must have
escalated because newspaper reviews began to include information on costuming as well.
Some articles briefly mentioned the costuming, like one on the Edward Doyle Stock
Company: "Costumes and scenery were in keeping with the company, being much better

�Burdick, 9
than generally seen in the traveling stock" ("The Stock Co. Well Received: Large
Audience Attended First Production Last Evening"). Other articles, like one on the
LeBrun Grand Opera Company, dove into detail. Though the LeBrun Grand Opera
Company appeared in 1912, one particular article from The Courier that mentioned
costuming appeared at the end of December, 1911. This article expressed that this "finest
musical organization of its kind" used the best in costuming—costing over $5,000 for
their show. One $500 gown worn in the show was covered completely with solid silver
spangles and was imported from Paris. Another costume weighed 40 lbs and had metal
that was gold-washed, including the helmet and sword scabbard. Another costume was
made of heavy satin, and embroidered with gold lace. Still another was a tapestry,
trimmed in ropes of pearls. Finally, the jewelry worn during the production was
appraised at several thousand dollars ("LeBrun Grand Opera Co.: The Fourth Number on
Y.M.C.A. Course Next Wednesday Evening"). The same detailed costume report was
given for a local production of Fi Fi and the Toy Shop. One article touted, "The costumes
are pronounced dreams of loveliness, being attractive and artistic in appearance" and that,
"the paper dolls are most unique, dainty creations of crepe paper with large flower picture
hats to match" ("Costumes for FiFi are Here").
Local amateur productions, like Fi Fi, were appreciated as much as professional
shows. While there were only a few local productions per year, there was a good deal of
coverage leading up to the production, including coverage of how rehearsals were
progressing. The musical Fi Fi was a large local production with a two-night showing,
and it was said that, "It is probable that a more difficult dramatic production has not been
attempted by local people in the last 20 years" ("Characters in 'Fi-Fi' Difficult").

�Burdick, 10
Admission prices for amateur events topped off at 50 cents, which was higher than the
cost of some shows brought in by professional traveling companies. Fi Fi was even
compared to some of these professional companies. It was said that "those going to see
Fi Fi [would] be given a little idea of how close to the professional an amateur
performance can be made" ("Characters in 'Fi-Fi' Difficult"). Other amateur productions
in 1912 included Under the Stars and Stripes, which featured Lew Johnson, a Coldwater
boy ("'Under the Stars and Stripes' a Rare Treat"), and the operetta Sylvia, which drew a
large audience that showed its support by attending this high school production
("Operetta 'Sylvia' To-Morrow Night" and "Operetta a Great Success: 'Sylvia' Drew a
Good House and Delighted Everyone Fortunate Enough to be Present").
The variety of stock companies coming to the Tibbits drew the audience during
1912. Advertisements were placed in The Daily Reporter almost daily, and shows were
promoted with articles, ads, and photos at least a week in advance. If a show was coming
straight from New York or Chicago, that was always in the description. When the "great
American play" Paid in Full was shown in February, it was known that it was being
presented by a New York cast and production ("The Great American Play Paid in Full").
The Alvarado Players, who performed in April, were promoted with an article that touted
their stage achievements in other locations. They had "been having remarkable success in
the large towns of the middle west, having played a forty weeks engagement at the
Garrick Theatre, Grand Rapids last season" ("One Year in Grand Rapids"), which was
meant to stir up excitement about their coming engagement.
Though sometimes complaints about ticket costs arose, the audience was
generally forgiving, especially when the performing company was one of their favorites.

�Burdick, 11
When the Dixie Chorus had to postpone its performance until after 9 o'clock due to
baggage issues of the company delaying their arrival at the train station, the "audience
was patient and had forgotten the tiresome wait earlier in the evening" because the
entertainment was so excellent ("The Dixie Chorus: Gave a Novel and Excellent
Entertainment at the Opera House Last Evening"). The Shannon Stock Company, which
held a week's engagement at the Tibbits, was also a favored company, with reviewers
saying, "This company is far above the average one at small prices" ("Shannon Stock Co.
Good"). One particular show that was of great interest to the Coldwater audience was
Captured by Wireless, a play about the famous murder case of Coldwater native Harvey
Crippen, who was found guilty in England of murdering his wife and was hanged in
November, 1910. He was the first criminal to be captured by the aid of wireless
communication, hence the title of the play. The Alvarado Players presented it in April of
1912, a year and a half after Crippin's hanging. Critics wrote, "The play starts at the
point in the famous criminal case where the murderer is first discovered so that the
author, by using the many sensational incidents connected with Dr. Crippen's escape and
final capture by aid of the wireless telegraph, has written an intensely interesting play
without resorting to the more gruesome incidents of the crime" ("They Are Here
Tonight"). Prior to Captured by Wireless, one review of the company said that the
Alvarado Players "easily proved themselves one of the best stock companies that has ever
appeared in Coldwater" ("The Show Last Night"). There was no review given for
Captured by Wireless; however, newspapers went on to promote the next stock company
and its production of The Cat and the Fiddle, which had a company of 40 singers,
dancers, and comedians, along with a beauty chorus and the promise of "novelties, stage

�Burdick, 12
illusions and transformations, magic and beautiful stage settings" ("At the Opera House:
The Cat and the Fiddle").
Mutt and Jeff, a play based on Bud Fisher's original cartoons, was performed at
the Opera House one night in April of 1912, and was promoted with the fact that the
show was "undoubtedly the most talked of play in a number of years, not only among
theatrical people, but by theatergoers all over the country" ("'Mutt and Jeff' Next
Wednesday"). Later in April, the same company that brought The Cat and the Fiddle
returned with The Cow and the Moon. Reviews for it were favorable, but did not top
those for The Cat and the Fiddle:
Those who have witnessed The Cat and the Fiddle were delighted with its
numerous illusions, its variety of stage mechanisms and its wealth of
scenery and stage effects, were just as much delighted with The Cow and
the Moon. As a musical show, The Cow and the Moon is not the success
that The Cat and the Fiddle is. There are none of the pieces in it which
compare with those in the latter production. The general effect, however,
is good and the piece accomplished its main mission and makes the
audience laugh most o the time. The scenery used is gorgeous and there is
a great deal of it used. The properties of the production are enormous.
("The Cow and the Moon Good")

It is surprising that even though The Cow and the Moon had many special effects—such
as the company on stage in a replica of the latest sleeping car model, or an "approaching
locomotive, commencing with a tiny speck of light in the distance and gradually
approaching, little by little until the huge bulk of a giant engine appears and stops at the

�Burdick, 13
footlights, the grinding of wheels and the breaks hissing of steam and the clanging of
bell" ("The Cow and the Moon")—it was still incomparable to The Cat and the Fiddle.
In May, Beverly came to the Tibbits, with upcoming star Dorothy Howard, who,
"although young in years, is a thoroughly experienced actress, having as a mere child
played prima donna soubrette roles in comic opera and later an ingénue in leading stock
organizations of the principal cities" ("Seat Sale Tomorrow"). While the Ben Greet
Players were supposed to appear in June, their engagement was postponed until August 6,
which was the season opener. From May to August, the theater was dark in terms of
plays being performed.
With the opening of the new season came a successful start, as headlines boasted
about the Greet Players. Prior to their engagement, one article said that the players "seem
to possess a quality of freshness and spontaneity quite unequalled by any form of
dramatic production. It's been said that many people attend these performances, who
rarely, if ever, go to the regular theatre" ("Ben Greet Players: Big Advance Sale of
Seats"). Once the players presented their production of A Midsummer Night's Dream, the
reviews that followed were equally complimentary, saying that "last night's production
was the finest of its kind ever seen in Coldwater. It is certain that ne'er before has a
Coldwater audience been favored with such a perfect interpretation of the text of
Shakespeare as was the performance of last evening" ("Greet Players were Excellent").
The Margy South Stock Company (at other times referred to as Culhane's Comedians and
still other times referred to as the Arlington Stock Company) spent a week at the Tibbits
in August, with lead actress Margy South, "one of the youngest and best stock actresses
in the profession" ("The Straight Road the Play Tonight"). Special mention was also

�Burdick, 14
given to crowd favorites, such as Will Culhane, Clementina St. Felix, and Harry Warner.
Each production from that company got rave reviews night after night. One such review
appeared after the company's performance of A Final Settlement, which "delighted both
young and old and found approval on every hand" ("Stock Company is Well Patronized:
Production Last Evening at Opera House Brought Forth Many Favorable Comments").
With fall and winter came larger shows with larger admission prices. The top
priced shows of the year at $1.50 per ticket were in September and October, beginning
with The Flirting Princess starring Harry Bulger and several present stars who numbered
on the same program at Tony Pastor's New York Theatre ("Harry Bulger in The Flirting
Princess"), and The Littlest Rebel, which advertised a cast of 50 onstage during a battle
scene ("'The Littlest Rebel' Soon"). In September, The Rosary returned to the Tibbits
stage, and The Daily Reporter said, "The story is interestingly told with an excellent cast
and its scenic effects that are brilliant; the production is worth attending" ("The Rosary").
Even though Faust had appeared before at the Tibbits, it was also a hot-ticket show, with
admission prices topping off at $1 each. One article noted that because of the advanced
cost of living, this particular show actually had a reduction to the price of admission so
that the company would be guaranteed a full house ("Faust: "Will Be at the Opera House
This Week-Matinee and Night").
The White Sister, a production that was three years old, arrived in November and
was interesting in the fact that unlike other shows, this show had only one company
playing on the road. Also, with the exception of the lead, the cast remained original.
Until it was staged in Coldwater, it had never been played in a city that had fewer than
25,000 people in population. This particular show had been performed in 14 different

�Burdick, 15
state penitentiaries and was the only play allowed to be shown in Sing Sing ("The White
Sister"). Advertisements for this show were heavy, as were articles leading up to the
performance. The same held true for The Only Son, featuring Thomas Ross, which was
said to be one of the "most discussed plays of the last two seasons" (The Courier Nov 28
1912 p3). Satan Sanderson was a show that touted the only woman stage director in the
dramatic profession, Miss Jessie Bonstelle, who was also a well-known stock actress in
over four hundred plays ("Hackett- 'Satan Sanderson' Tonight").
Jackson was finally given a nod in December for his efforts at the Tibbits, as
reviews from Satan Sanderson said, "Manager Jackson deserves great credit for being
able to give to Coldwater theatergoers the opportunity to see such productions." The
article went on to say that Jackson's "greatest accomplishment is bringing Thomas Ross
here tomorrow night" ("Last Night's Show was Fine"). In that same article, Ross was
acknowledged as one of America's greatest actors. Finishing out the year was The
Divorce Question, a play that was considered a little daring because it was an argument
against divorce. It was said to be morally strong— a "Wonderfully gripping play, and
one that ably portrayed sad conditions arising through the numerous divorces of the
present day." Even though it was the last play of the year, the audience was noted as
being "exceedingly poor," since fewer than half of the seats were filled ("The Divorce
Question Good").

B.

Concerts
Aside from legitimate drama, concerts were also popular (in terms of drawing a

crowd and creating excitement) at the Tibbits. Even though there were only seven

�Burdick, 16
concerts in 1912, they were with well-known musicians such as Grilley and Rogers,
Vanda Enos, the LeBrun Grand Opera Co., the Ellery Band, and the Sousa Band.
The first concert of the year brought a YMCA entertainment course, Rogers and
Grilley, who had previously performed in Coldwater. Articles prior to their engagement
claimed, "Mr. Grilley is a reader and storyteller of exceptional talent, while Mr. Rogers
has perhaps no equal as a harpist in this country" ("Y.M.C.A. Course Next Monday:
Rogers and Grilley will be the Attraction at the Opera House"). The Courier also gave
this promo, saying that Grilley and Rogers were "always a great treat" ("Always a Great
Treat"). After the performance, The Courier noted that it was a sold-out house and that
the program was "much enjoyed by all present" ("Saturday At Opera House: Good
Matinee and Night Performance Promised"). Vanda Enos appeared in March with her
violin as an attraction alongside a double show of comedy and vaudeville. Enos was
billed as "a brilliant and widely known music artist and violin virtuoso" and that those
who attended the program were witnessing "a unique and uncommon event [that was] of
great benefit to musicians, students of music, and music lovers" ("Three Days Only").
The LeBrun Grand Opera Co.was at the Tibbits for only a one-night engagement
and left the following day for Mount Pleasant, MI. Over the course of 30 weeks, it had
performed six entertainments each week, traveled 25,000 miles, and appeared in 28
different states. In May the company appeared at the Tibbits and delighted the audience,
as already mentioned with the article regarding their costuming. Reviews were favorable,
giving credit to Madame LeBrun for her "wonderful soprano voice" and acting ability "of
unusual ability." Miss Dorothy Wilson, the contralto, was also given credit for her
"splendid voice" and "clever acting." Fritz Huttmann, the tenor, and Arthur Deane, the

�Burdick, 17
baritone, were given credit for winning their "full share of applause" ("Entertained in
Fine Style: Large Audience Delighted with LeBrun Grand Opera Company").
The Ellery band, "recognized among the best authorities as being the foremost
concert band in this country," also caused a great stir in town ("Ellery's Greatest Band").
Numerous articles with accompanying photos advertised their coming, and after the
performance the reviews said that the band gave "one of the best concerts that the people
of this city have listened to in some time" ("Gave a Fine Concert"). Ellery's band had a
successful run in England and Scotland, and one notice published for the Glasgow
Exposition where the band played to tens of thousands daily said, "Never in history of
band music has a musical organization achieved such an amazing triumph in so short a
time as has the Ellery Band. Sousa had his victories and none will gainsay their worth,
but the Ellery Band has out-Sousa-ed Sousa…Mr. Channing Ellery, the founder of the
Band, has openly admitted that his aim in organizing it was to surpass the standard of
perfection set by Sousa" ("Greatest Concert Band"). Ticket prices for the Ellery Band's
engagement were in line with Sousa's band, which appeared at the Tibbits five months
later.
Having two bands of this magnitude in one year was a feat for Jackson, and he
was commended for "being able to secure for the citizens of Coldwater such a rare
musical treat" ("Sousa's Band Drew Crowd"). Much hoopla surrounded Sousa's coming,
and it was assumed that many people would find it impossible to gain admission to his
performance. Sousa, who had given more concerts than any other man in the history of
music, drew many people from out of town, exhausting the capacity of the Opera House
(No Title. The Courier, Oct 31, 1912 p3). There wasn't much of a review for Sousa in

�Burdick, 18
The Courier, but it did say that, "it is unnecessary to say that the program was excellent
and that it was enthusiastically appreciated, for Sousa is known better and appreciated
more throughout the civilized world than any other of the many famous conductors"
("Sousa's Band Drew Crowd"). The year was rounded out with smaller acts, such as the
Hussars and the Oberlin College Glee Club.

C.

Lectures, Campaigns, and Misc. Uses
Most lectures were brought to the Tibbits through the YMCA entertainment

course. The first of the YMCA lectures was in February, when Adrian Newens appeared,
having replaced Phidelah Rice, who missed his train connection (due to poor railroad
service in Toldeo, Ohio, according to The Daily Reporter) earlier that month and couldn't
make it to perform ("Adrian Newens Pleasing to All"). The audience was pleased with
Newens, who had previously entertained in Coldwater: "From the beginning to the end of
his work last evening, the audience was his. Mr. Newens is an impersonator of rare
ability and combines that gift with a rare good judgment in the selection of subjects with
which to entertain" ("A.M. Newens at Opera House").
The next number (and the last of the season) sponsored by the YMCA was Albert
L. Blair, whose topic was "The Whir of the Newspaper Press". Blair asserted that while
inventions such as the telephone, the telegraph, type setting machines, and high speed
presses now in use were wonderful, there would come a day with "still more remarkable
inventions." He affirmed that "the future holds still greater possibilities" ("Albert L. Blair
at Opera House"). Unfortunately, the reviewer for The Daily Reporter found his lecture to
be "the longest, driest, and most uninteresting discourse that was ever thrust over the

�Burdick, 19
footlights at a local audience. Facts were given as facts without any attempt to
garnishment in the way of figurative language or interesting detail. They were simply
piled up and thrown at the audience in chunks, much as cement blocks of good size
would be handled." The reviewer went on to say that while Mr. Blair knew what he was
talking about, no one else did, and that his hearers were so stupefied that they either fell
asleep or went home ("Gave Lecture on the Press").
Locals used the stage as a platform for their campaigns as well. In February, there
was a local option meeting hosted by the Branch County Anti-Saloon League, with
Senator Seaborn Wright speaking about whether or not saloons should be banished from
the state ("Meeting at Opera House"). In March, Mr. Woolley, a candidate for the
presidency on the prohibition ticket, spoke to a packed Opera House. The reviewer for
the newspaper said that his lecture was given "in a quiet and logical way, [presenting] the
cause which he champions, and [carrying] his arguments and illustrations through in such
a way that they are clearly understood and hard to combat ("Opera House Was Packed:
Hon. John G. Woolley Greeted by a Splendid Audience and Gave a Stirring Address").
Father Dennis A. Hayes, of the local Catholic church, spoke on two occasions to
influence the number of "Dry" voters, regarding prohibition ("Last Local Option
Meeting" and "Fr. Hayes at Opera House"). Interestingly, one article requested no
children be brought to the theater, that "Children can co-operate best in this campaign
next Sunday by giving their seats to the adults" ("Last Local Option Meeting"). This was
reminiscent of a request made by Barton S. Tibbits, when he asked in a Coldwater
Republican article titled "Darling Little Baby" that children be left at home so as not to
disturb the theater-goers who paid to see the show on stage, or the actors and actresses,

�Burdick, 20
who deserve to be given the limelight (Gillespie, 288). In October, both the Republican
and Democratic parties also held rallies at the theater. Other miscellaneous uses for the
Tibbits included holding a festival in May, and commencement ceremonies in June.

D.

Travelogues, Animated Illustrations, &amp; Moving Pictures
Travelogues, animated illustrations, and moving pictures were also on the scene

during 1912. Though Lyman Howe brought his motion picture travelogues, or Travel
Festivals, regularly two times a year, documentation shows that three occurred in 1912.
These popular Travel Festival shows gave the audience an opportunity to see far-off
places that they might not otherwise have seen. January's travelogue was titled Reaching
the World's Highest Altitudes: Hunting from an Aeroplane. October brought a collection
of death-defying races in air and sea, the burial of the Maine, and a tour along Paris and
Versailles. With December came All the World's a Stage. In regards to the travelogues,
a December Courier article commented, "Superficial observers regard its success as
phenomenal. They are wrong because it is based on sound principles of actual merit:
Because it furnishes as inspiring and beautiful a form of entertainment as the human mind
could conceive ("Success is Based on Actual Merit").
The only animated illustration listed during 1912 was Dante's Inferno, which for a
10 cent admission fee, was said to be "impressive at many moments and disappointing at
others," according to the St. Louis Post ("Dante's Inferno"). The Brooklyn Standard
Union found it to be the "most elaborate film ever prepared in the moving picture world."
In their showing, they found that the audience was "much impressed with the vast amount
of work that must have been necessary to depict such a strange story with its wonderful
setting" (The Daily Reporter, March 5, 1912 p3). Motion pictures also included a

�Burdick, 21
September showing of Oliver Twist, with Nat Goodwin as Fagin. Goodwin had been
playing the character in New York, but was the only one of the "all-star cast" who
appeared in the revival to be seen in the pictures. Even so, "the other characters are
splendidly taken and the films themselves are remarkably clear and distinct" ("'Oliver
Twist' in Moving Pictures"). The final set of pictures shown at the Opera House were
shown for the Michigan National Guard in December, who used it (and the
accompanying lecture by Major M. M. Phillips of Owosso) to secure new recruits for
Company A ("Dandy Dixie Minstrels Soon").

E.

Vaudeville, Minstrels, &amp; Magic
Aside from legitimate drama, other forms of entertainment held at the Opera

House included a variety of vaudeville shows, minstrel shows, and magic shows, among
others. Although only eleven vaudeville, minstrel, and magic shows are listed in the
1912 datebook (Appendix C), that is a very deflated number from what actually appeared
at the Tibbits, because with touring stock companies came vaudeville acts that
entertained the audience during intermission of the main feature. For our purposes, those
additional vaudeville acts will not be mentioned in this section.
In January, the Manhattan Gaiety Girls took to the stage, with the slogan
"Everything new, everything best," the company having replaced the "faded beauties"
with a new cast of "handsome young women" ("Manhattan Gaiety Girls"). However,
these beauties received no comment after the fact from either The Daily Reporter or The
Courier, as they were overshadowed by the publicity for J. C. Rockwell's Sunny South
Company, which was said to be a "first-class colored organization" in an article in The

�Burdick, 22
Courier ("J.C. Rockwell's Sunny South Co."), and "one of the strongest, brightest, most
complete and capable colored organizations ever sent on tour" with "more new songs,
new music, new ideas, new specialties, new dances than any similar organization and it is
brim full of laughable situations and charming musical numbers that are new and catchy"
in an article in The Daily Reporter ("J.C. Rockwell's Sunny South Co."). Apparently,
plantation shows were in vogue because later in February, Thomas P. Kelley's Colored
Carnival arrived at the Tibbits.
May brought two nights' worth of local vaudeville shows from the ladies of St.
Agatha's Guild, and while the attraction provided "a constant change of color, music and
singers that made the attraction most enjoyable," there was only a fair-sized audience
("The National Troubadours"). Other local vaudeville included two performances
sponsored by the Phi Gamma Sorority.
Other entertainment included Reno the Magician, who was met with the utmost
favorable reviews ("Reno is Certainly a Great Magician"). Reno was contracted in by the
YMCA committee as entertainment at no cost to the audience, in order to make up for its
last lecture that caused "great dissatisfaction" ("New Course of Entertainment"). The
next YMCA entertainment wasn't until November, when Miss Bargelt, an accomplished
crayon artist, took to the stage along with her company of musicians ("First Number
Excellent: Bargelt Company Opened the Y.M.C.A. Lecture Course Last Night").
Another type of entertainment was a dog and cat circus in October that was
coupled with a vaudeville show. It was given one sentence of publicity prior to the
engagement, and none thereafter (No Title. The Daily Reporter, Oct 15 1912 p3).

�Burdick, 23
The only true minstrel company to visit Coldwater was the DeRue Bros.' Ideal
Minstrels, which promised a clean, classic and honest show ("Minstrels Coming: We
Guarantee This Attraction"). Furthermore, a handful of the performers from this group
had the distinction of being some of the few acrobatic duos who had performed and
appeared before royalty ("DeRue Bros.' Ideal Minstrels"). Reviews indicated approval of
the group, and "it was the general opinion that the minstrel was better than many
attractions demanding a large entrance fee ("A Good Show Last Evening"). The local
Fortnightly Ladies Minstrel Club held a minstrel show just after the DeRue Bros. left
town, and reviews were equally favorable, boasting the show as "one of the best of the
kind that was ever staged in Coldwater ("Crowded House First Night"). The other local
paper commented that there was "not a weak point in the cast and the songs and jokes
were well chosen and well given. The chorus was especially fine and the dancing girls
were excellent" ("First Night of Minstrels was Success"). While the show might have
been good, it seems as though reviews for local productions were a bit more flowery than
reviews for traveling shows.
One of the final entertainments of the year was a vaudeville production by the
National Theatre, which had prices of up to 50 cents per ticket. Jackson explained that the
high prices for the show were commensurate with the performers' merit. "Recognized
vaudeville performers are expensive people" ("Vaudeville for Thanksgiving"). Gus Sun's
Ohio Vaudeville Circuit came for Christmas, and the final entertainment of the year (on
the 31st of December) was LeVard's Dixie Minstrels, another colored company who had
"won distinction on the vaudeville stage" ("From Fiske University").

�Burdick, 24
F.

Summary of Findings
Though the public demanded more, John Jackson had a successful year of

managing the Tibbits Opera House in 1912 by supplying Coldwater with a constant array
of entertainments. Admitting ladies free on some Monday evenings was a good business
practice, as was advertising "Popular Prices." Legitimate drama was seen most often on
the stage of the Tibbits, with successful shows starring greats like Dorothy Howard, the
Ben Greet Players, Margy South, Will Culhane, Harry Bulger, and Thomas Ross. Stock
companies would play a rotation of shows for a week's engagement. The audience was
fascinated with the technical aspects of the show, and newspapers reflected that with
articles on royalties, costuming, lighting effect, and scenery.
Some of the finest concerts were given at the Opera House, with popular
musicians such as Grilley and Rogers, Vanda Enos, the LeBrun Grand Opera Co., the
Ellery Band, and the Sousa Band. The most popular performers were Sousa and Ellery,
who was said to "out-Sousa Sousa."
Aside from drama and concerts, lectures, campaigns, and general local events
were held at the Opera House. Most lectures were brought there through sponsorship of
the YMCA lecture and entertainment series. When a dry, uninteresting program was
delivered to the audience in the way of Albert L. Blair, the YMCA tried to set things right
by offering a free magic show to make up for the disappointment of the lecture.
Candidates--both Republican and Democrat--used the stage for campaigns and rallies.
Meetings were also held to discuss prohibition and the role of saloons in Michigan.
Other local events included a May Festival and commencement ceremonies.
Travelogues allowed people to experience what they might not otherwise have
had the opportunity to, and they were popular, with showings at least twice a year. Other

�Burdick, 25
moving pictures shown at the Opera House included Oliver Twist, Dante's Inferno, and a
recruiting program for the local National Guard unit.
Vaudeville and minstrel shows were also popular. Colored carnivals and
plantation shows were booked several times throughout the year and were well-received.
Other varieties of entertainment included magicians, a crayon artist, and a dog and cat
circus.
In closing, Jackson provided entertainment for the community almost year-round
on at least a weekly basis, with the theatre unused during the month of July. He strived to
bring in a variety of plays, entertainments, lectures, and concerts, and also allowed locals
to use the theatre for their needs, such as school festivals, plays, and commencement
ceremonies.

�Burdick, 26
III. Works Cited
Gillespie, Carolyn L. A History of the Tibbits Opera House, 1882-1904. Kent State
University: June 1975.
"Adrian Newens Pleasing to All." The Courier 26 Feb. 1912.
"Albert L. Blair at Opera House." The Courier 27 March 1912.
"Always a Great Treat." The Courier 17 Jan 1912.
"A.M. Newens at Opera House." The Daily Reporter 24 Feb. 1912, p3.
"At the Opera House: The Cat and the Fiddle." The Courier 27 March 1912, p2.
"At the Opera House (St. Louis Post Dispatch)." The Courier 6 March 1912, p3.
"Ben Greet Players: Big Advance Sale of Seats." The Courier 4 Aug. 1912, p3.
"Characters in 'Fi-Fi' Difficult." The Daily Reporter 15 April 1912, p3.
"Costumes for FiFi are Here." The Daily Reporter 9 April 1912, p3.
"The Cow and the Moon." The Daily Reporter 17 April 1912, p3.
"The Cow and the Moon Good." The Daily Reporter 27 April 1912, p3.
"Crowded House First Night." The Daily Reporter 13 Nov. 1912, p3.
"Dandy Dixie Minstrels Soon." The Courier 28 Dec. 1912, p3.
"Dante's Inferno." The Daily Reporter 5 March 1912, p3.
"DeRue Bros.' Ideal Minstrels." The Daily Reporter 4 Nov. 1912, p3.
"The Divorce Question Good." The Courier 13 Dec. 1912.
"The Dixie Chorus: Gave a Novel and Excellent Entertainment at the Opera House Last
Evening." The Courier 8 March 8 1912.
"The Edward Doyle Company." The Courier 14 Sept. 1912, p2.

"Ellery's Greatest Band." The Courier 12 June 1912, p2.

�Burdick, 27
"Entertained in Fine Style: Large Audience Delighted with LeBrun Grand Opera
Company." The Courier 1 May 1912.
"An Entertainment Worth While." The Courier 6 Sept. 1912, p3.
"Faust: Will Be at the Opera House This Week-Matinee and Night." The Courier 10 Nov.
1912, p3.
"First Night of Minstrels was Success." The Courier 13 Nov. 1912.
"First Number Excellent: Bargelt Company Opened the Y.M.C.A. Lecture Course Last
Night." The Courier 16 Nov. 1912.
"Fr. Hayes at Opera House." The Courier 1 April 1912, p3.
"From Fiske University." The Daily Reporter 30 Dec. 1912, p3.
"Gave a Fine Concert." The Courier 19 June 1912.
"Gave Lecture on the Press." The Daily Reporter 26 March 1912, p4.
"A Good Show Last Evening." The Daily Reporter 7 Nov. 1912, p3.
"The Great American Play 'Paid in Full'." The Courier 7 Feb 1912.
"Greatest Concert Band." The Daily Reporter 10 June 1912, p3.
"Greet Players were Excellent." The Daily Reporter 7 Aug. 1912, p3.
"Hackett- 'Satan Sanderson' Tonight." The Courier 3 Dec. 1912, p3.
"Harry Bulger in 'The Flirting Princess'." The Courier 21 Sept. 1912, p3.
"J.C. Rockwell's Sunny South Co.". The Courier 31 Jan. 1912.
"J.C. Rockwell's Sunny South Co.". The Daily Reporter 3 Feb. 1912, p3.
"Last Local Option Meeting." The Courier 29 March 1912, p2.
"Last Night's Show was Fine." The Courier 4 Dec. 1912.

�Burdick, 28
"LeBrun Grand Opera Co.: The Fourth Number on Y.M.C.A. Course Next Wednesday
Evening." The Courier 22 Dec 1911.
"'The Littlest Rebel' Soon." The Courier 8 Oct. 1912, p2.
"Manhattan Gaiety Girls." The Courier 29 Jan. 1912.
"Martin-Kibble Big Company: Children's Night With Uncle Tom's Cabin." The Courier
16 Oct. 1912, p3.
"Meeting at Opera House." The Courier 28 Feb. 1912, p3.
"Minstrels Coming: We Guarantee This Attraction." The Courier 2 Nov. 1912, p3.
"Mr. Hackett Coming." The Courier 28 Nov. 1912, p3.
"'Mutt and Jeff' Next Wednesday." The Courier 1 April 1912, p3.
"The National Troubadours." The Daily Reporter 22 May 1912, p3.
"New Course of Entertainment." The Daily Reporter 5 April 1912, p4.
No Title. The Courier 28 Oct. 1910, p2.
No Title. The Courier 28 Oct. 1910, p3.
No Title. The Courier 31 Oct. 1912, p3.
No Title. The Daily Reporter 15 Oct. 1912, p3.
"'Oliver Twist' in Moving Pictures." The Daily Reporter 21 Sept. 1912, p2.
"One Year in Grand Rapids." The Daily Reporter 4 April 1912, p3.
"Opera House Was Packed: Hon. John G. Woolley Greeted by a Splendid Audience and
Gave a Stirring Address." The Courier 25 March 1912.
"Operetta a Great Success: 'Sylvia' Drew a Good House and Delighted Everyone
Fortunate Enough to be Present." 13 March 1912.
"Operetta 'Sylvia' To-Morrow Night." The Courier 11 March 1912.

�Burdick, 29
"Reno is Certainly a Great Magician." The Courier 27 May 1912.
"The Rosary." The Daily Reporter 14 Sept. 1912, p3.
"Saturday At Opera House: Good Matinee and Night Performance Promised." The
Courier 24 Jan. 1912.
"Seat Sale Tomorrow." The Daily Reporter 30 April 1912, p3.
"Shannon Stock Co. Good." The Courier 28 Feb. 1912, p3.
"The Show Last Night." The Daily Reporter 11 April 1912, p3.
"Sousa's Band Drew Crowd." The Courier 2 Nov. 1912.
"Stock Company is Well Patronized: Production Last Evening at Opera House Brought
Forth Many Favorable Comments." The Courier 14 Aug. 1912.
"The Stock Co. Well Received: Large Audience Attended First Production Last
Evening." The Courier 10 Sept. 10 1912.
"The Straight Road the Play Tonight." The Daily Reporter 12 Aug.1912, p3.
"Success is Based on Actual Merit." The Courier 22 Dec. 1912, p2.
"They Are Here Tonight." The Daily Reporter 8 April 1912, p3.
"Three Days Only." The Daily Reporter 12 March 1912, p3.
"'Under the Stars and Stripes' a Rare Treat." The Courier 8 Jan. 1912.
"Vaudeville for Thanksgiving." The Courier 26 Nov. 1912, p3.
"The White Sister." The Courier 20 Nov. 1912, p3.
"Y.M.C.A. Course Next Monday: Rogers and Grilley will be the Attraction at the Opera
House." The Daily Reporter 16 Jan. 1912 p3.
"You Will Like Louise," The Courier 4 Sept. 1912, p3.

�Burdick, 30

IV. Appendix A:

Tibbits Opera House
1912 Newspaper Advertisements

�Burdick, 31

January Ads

The Man on the Box. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily
Reporter, Jan 1 1912 p2.

�Burdick, 32

Our Navy. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily Reporter, Jan
1 1912 p3.

�Burdick, 33

Under the Stars and Stripes. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Jan 9 1912 p2.

�Burdick, 34

February Ads

Paid in Full. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily Reporter,
Feb 6 1912 p3.

�Burdick, 35

Kelley's Colored Carnival. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Feb 9 1912.

�Burdick, 36

Shannon Stock Company. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Feb 22 1912 p3.

�Burdick, 37

The Village Gossip. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily
Reporter, Feb 27 1912 p3.

�Burdick, 38

March Ads

The Flower of the Ranch. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, March 18 1912 p3.

�Burdick, 39

The Cat and the Fiddle. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, March 23 1912 p2.

�Burdick, 40

The Missouri Girl. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, March 26 1912 p3.

�Burdick, 41

Dante's Inferno. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, March 4 1912, p2.

�Burdick, 42

Vanda Enos. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, March 9 1912, p2.

�Burdick, 43

The Power of the Cross. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, March 15 1912, p3.

�Burdick, 44

April Ads

Mutt &amp; Jeff. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, April 3 1912, p2.

�Burdick, 45

Mutt &amp; Jeff. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, March 29 1912, p6.

�Burdick, 46

The Alvarado Players. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, April 4 1912, p3.

�Burdick, 47

Fi Fi of the TOYSHOP. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, April 13 1912, p2.

�Burdick, 48

The Cow &amp; the Moon. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, April 24 1912, p4.

�Burdick, 49

May Ads

May Festival. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, May 24 1912, p2.

�Burdick, 50

Beverly of Graustark. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, May 1 1912, p4.

�Burdick, 51

June Ads

Ellery's Band. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily
Reporter, June 12 1912 p4.

�Burdick, 52

August Ads

Ben Greet. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, July 31 1912, p2.

�Burdick, 53

The Straight Road. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Aug 7 1912, p2.

�Burdick, 54

Victor E. Lambert Ad. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Aug 24 1912 p3.

�Burdick, 55

September Ads

Culhane's Comedians. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Sept 27 1912, p4.

�Burdick, 56

Louise Brown. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Sept 5 1912, p2.

�Burdick, 57

The Rosary. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Sept 11 1912, p2.

�Burdick, 58

Nat C. Goodwin. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Sept 25 1912, p5.

�Burdick, 59

October Ads

Big Republican Rally. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Oct 6 1912 p4.

�Burdick, 60

Rally. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, Oct 15 1912
p3.

�Burdick, 61

Great Republican Rally Ad. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Oct 17 1910.

�Burdick, 62

November Ads

Ladies' Minstrels Ad. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater.
Courier, Nov 5 1912 p3.

The

�Burdick, 63

Evelyn Bargelt Concert Co. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Nov 10 1912 p2.

�Burdick, 64

Sousa and his Band. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Oct 29 1912, p2.

�Burdick, 65

Ladies Minstrels. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Nov 08 1912, p3.

�Burdick, 66

Faust. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily Reporter, Nov
13 1912, p2.

�Burdick, 67

Ideal Minstrels. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Nov 5 1912, p2.

�Burdick, 68

Satan Sanderson. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Nov 29 1912, p3.

�Burdick, 69

The White Sister. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Nov 21 1912, p3.

�Burdick, 70

Vaudeville. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily Reporter,
Nov 29 1912, p3.

�Burdick, 71

December Ads

Thos. W. Ross. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily
Reporter, Nov 30 1912, p2.

�Burdick, 72

Oberlin Glee Ad. 1912. Microfilm Archives, Holbrook Heritage Room], Coldwater. The Courier,
Dec 18 1912 p2.

�Burdick, 73

The Divorce Question. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Dec 07 1912, p2.

�Burdick, 74

V. Appendix B:

Tibbits Opera House
1912 Press Release Photos

�Burdick, 75

The Opera House

Tibbits Opera House 1. Circa 1900. Photograph. Randall Hazelbaker Personal Collection,
Coldwater.

�Burdick, 76

Tibbits Opera House 2. Circa 1900. Photograph. Randall Hazelbaker Personal Collection,
Coldwater.

�Burdick, 77

Tibbits Opera House 3. Circa 1900. Photograph. Randall Hazelbaker Personal Collection,
Coldwater.

�Burdick, 78

Tibbits Opera House 4. Circa 1900. Photograph. Randall Hazelbaker Personal Collection,
Coldwater.

�Burdick, 79

Tibbits Opera House 5. Circa 1900. Photograph. Randall Hazelbaker Personal Collection,
Coldwater.

�Burdick, 80

January Engagements

Lew Johnson. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, Jan 8
1912.

�Burdick, 81

February Engagements

The Dixie Chorus. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Feb 29 1912, p3.

�Burdick, 82

Scene from 'Paid in Full'. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Feb 5 1912, p3.

�Burdick, 83

Lorene Shannon. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily
Reporter, Feb 27 1912, p3.

�Burdick, 84

Scene from 'Paid in Full'. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Feb 7 1912, p3.

�Burdick, 85

March Engagements

Frank F. Farrell. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
March 29 1912.

�Burdick, 86

The Sailor Boys. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
March 27 1912 p3.

Courier,

�Burdick, 87

Bunch of Beauties. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily
Reporter, March 20 1912, p3.

�Burdick, 88

The Missouri Girl. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, March 29 1912, p6.

�Burdick, 89

Vanda Enos. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, March 12 1912, p2.

�Burdick, 90

George Harris. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, March 21 1912, p2.

�Burdick, 91

A Scene from 'The Cat and the Fiddle'. 1912. Microfilm Archives, Holbrook Heritage Room,
Coldwater. The Daily Reporter, March 26 1912, p4.

�Burdick, 92

A Scene from 'The Cat and the Fiddle'. 1912. Microfilm Archives, Holbrook Heritage Room,
Coldwater. The Daily Reporter, March 27 1912, p2.

�Burdick, 93

Miss Phyllis Jackson. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, March 11 1912, p3.

�Burdick, 94

Miss Margaret Rose. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, March 11 1912, p3.

�Burdick, 95

Clyde Doerr. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily Reporter,
March 8, 1912, p3.

�Burdick, 96

William Alt. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily Reporter,
March 8 1912, p3.

�Burdick, 97

Roscoe Stewart. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily
Reporter, March 9 1912, p2.

�Burdick, 98

Mrs. Fern Doerr Broughton. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, March 9 1912, p2.

�Burdick, 99

A scene from 'Flower of the Ranch'. 1912. Microfilm Archives, Holbrook Heritage Room,
Coldwater. The Daily Reporter, March 22 1912, p3.

�Burdick, 100

William Alt. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily Reporter,
March 11 1912, p3.

�Burdick, 101

A scene from 'The Flower of the Ranch'. 1912. Microfilm Archives, Holbrook Heritage Room,
Coldwater. The Daily Reporter, March 23 1912, p4.

�Burdick, 102

The Missouri Girl. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily
Reporter, March 28 1912, p4.

�Burdick, 103

April Engagements

Cow and the Moon. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater.
Courier, April 26 1912 p3.

The

�Burdick, 104

Dorothy Howard. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
April 29 1912 p2.

�Burdick, 105

Mutt &amp; Jeff. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, April 1
1912 p2.

�Burdick, 106

Avarado Players. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
April 10 1912 p2.

�Burdick, 107

Alvarado Players. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
April 8 1912 p2.

�Burdick, 108

Andrew Waldron. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, April 8 1912, p3.

�Burdick, 109

Mutt &amp; Jeff. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily Reporter,
April 3 1912, p2.

�Burdick, 110

Florence Radinoff. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily
Reporter, April 30 1912, p3.

�Burdick, 111

The Minister and the Maid. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, April 5 1912, p3.

�Burdick, 112

A scene from 'Mutt &amp; Jeff''. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, April 2 1912, p4.

�Burdick, 113

The Cow and the Moony. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, April 25 1912, p4.

�Burdick, 114

Cow and the Moon. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily
Reporter, April 24 1912, p4.

�Burdick, 115

Mutt &amp; Jeff Tonight. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, April 3 1912, p2.

�Burdick, 116

No Title. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily Reporter, April
25 1912, p4.

�Burdick, 117

LeBrun Grand Opera Quartette. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater.
The Daily Reporter, April 30 1912, p2.

�Burdick, 118

Margaret T. Shayne. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily
Reporter, April 29 1912, p4.

�Burdick, 119

June Engagements

Ellery's Greatest Band. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, June 12 1912 p2.

�Burdick, 120

The Ellery Band. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
June 17 1912 p2.

�Burdick, 121

The Ellery Band. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
June 14 1912 p2.

�Burdick, 122

Joseph Giulii. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, June 17 1912, p3.

�Burdick, 123

Making out a Program. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, June 17 1912, p4.

�Burdick, 124

August Engagements

Alma Kruger. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, Aug 4
1912 p2.

�Burdick, 125

The Servant in the House. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Aug 23 1912, p3.

�Burdick, 126

The Drain Man. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily
Reporter, Aug 27 1912, p2.

�Burdick, 127

The Servant in the House. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Aug 26 1912, p4.

�Burdick, 128

The Servant in the House. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Aug 28 1912 p3.

�Burdick, 129

The Servant in the House. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Aug 25 1912 p2.

�Burdick, 130

September Engagements

Margy Southwell. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Sept 28 1912 p3.

�Burdick, 131

Harry Bulger. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Sept 24 1912, p3.

�Burdick, 132

Miss Louise Brown. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Sept 4 1912, p2.

�Burdick, 133

Miss Melra Clanton. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Sept 7 1912, p4.

�Burdick, 134

Prof. Rego. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Daily Reporter,
Sept 11 1912, p4.

�Burdick, 135

W.E. LA Rose. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Sept 6 1912, p4.

�Burdick, 136

J.F. Marlow. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, Sept 7
1912 p3.

�Burdick, 137

The Flirting Princess. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Sept 24 1912 p4.

�Burdick, 138

Margy Southwell. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Sept 29 1912 p3.

�Burdick, 139

American Beauty Chorus. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Sept 25 1912 p4.

�Burdick, 140

W.E. LaRose. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, Sept 10
1912 p3.

�Burdick, 141

The Rosary. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, Sept 15
1912 p2.

�Burdick, 142

The Rosary. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, Sept 17
1912 p2.

�Burdick, 143

Edward Doyle Stock Co. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Sept 8 1912 p4.

�Burdick, 144

Miss Louise Brown. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Sept 5 1912 p2.

�Burdick, 145

October Engagements

Miss Virginia Root. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Oct 31 1912 p3.

�Burdick, 146

Sousa and his Great Band. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Oct 28 1912, p4

�Burdick, 147

Charles E. Townsend. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Oct 3 1912, p2.

�Burdick, 148

The Shepherd of the Hills. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Oct 5 1912 p4.

�Burdick, 149

Preachin' Bill. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, Oct
8 1912.

�Burdick, 150

The Shepherd of the Hills. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Oct 6 1912 p4.

�Burdick, 151

The Littlest Rebel. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Oct 10 1912 p4.

�Burdick, 152

The Littlest Rebel. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Oct 9 1912 p4.

�Burdick, 153

Mr. Farnum. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater.
Oct 11 1912 p3.

The

Courier,

�Burdick, 154

Sousa. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, Oct 27 1912
p3.

�Burdick, 155

Lyman Howe Travel Festival. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Oct 22 1912 p4.

�Burdick, 156

Chameleons Tongue. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Oct 26 1912 p3.

�Burdick, 157

When Horse and Lion Meet. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Oct 24 1912 p3.

�Burdick, 158

Apollo Concert Companyn. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Oct 31 1912 p2.

�Burdick, 159

Maine Burial. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, Oct 27
1912 p4.

�Burdick, 160

Miss Nicoline Zedeler. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Oct 29 1912 p3.

�Burdick, 161

November Engagements

She Stoops to Conquer. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Nov 8 1912 p2,

�Burdick, 162

Norman Hackett. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Nov 30 1912, p4.

�Burdick, 163

Mohala and Floyd. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Nov 6 1912, p2.

�Burdick, 164

Sylvester A. Long. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Nov 7 1912, p3.

�Burdick, 165

Scene from Faust. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Nov 10 1912 p3.

�Burdick, 166

George G. Wakefield. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Nov 12 1912 p3.

�Burdick, 167

Scene from Faust. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Nov 14 1912 p4.

�Burdick, 168

Faust. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, Nov 14 1912
p3.

�Burdick, 169

The White Sister Ad. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Nov 20 1912 p4.

�Burdick, 170

The White Sister Logo. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Nov 27 1912 p3.

�Burdick, 171

The White Sister. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Nov 23 1912 p3.

�Burdick, 172

Miss Clara Lewis. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Nov 24 1912 p4.

�Burdick, 173

The White Sister. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Nov 26 1912 p3.

�Burdick, 174

December Engagements

Lizzie Hudson Collier. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Dec 5 1912, p4.

�Burdick, 175

Reno B. Welbourn. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Dec 12, 1912, p2.

�Burdick, 176

The Divorce Question. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Dec 11 1912, p3.

�Burdick, 177

The Glee Club. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Daily Reporter, Dec 10 1912, p4.

�Burdick, 178

The Divorce Question. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Dec 11 1912 p3.

�Burdick, 179

The Divorce Question. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The
Courier, Dec 8 1912 p5.

�Burdick, 180

The Only Son. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, Dec
1 1912 p3.

�Burdick, 181

The Hussara. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater.
10 1912.

The Courier, Dec

�Burdick, 182

Norman Hackett. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier, Dec
3 1912 p2.

�Burdick, 183

The Only Son Scene. 1912. Microfilm Archives, Holbrook Heritage Room, Coldwater. The Courier,
Dec 5 1912 p4.

�Burdick, 184

VI. Appendix C:

Tibbits Opera House Events
1912 Datebook

�Day

Date

Year

Mon

Jan 1

Tues

Tues

Name of
show/lecture topic

Company name

Type of event

1912

The Man on the Box

Trousdale Bros.

Play

Jan 2

1912

Lyman H.Howe

Travelogue/
Travel Festival

Jan 9

1912

"Reaching the
World's Highest
Altitudes/ Hunting
from an Aeroplane"
Under the Stars and
Stripes

*originally listed 1912
for Jan 16, but
again listed in
the Feb 14 &amp;
Feb 20 papers
as "coming
soon" with no
further articles
Mon
Jan 22 1912

Sat

Jan 27

1912

Tues

Jan 30

1912

Sat

Feb 3

1912

Ticket
price

Play: War
Drama

Matinee: 25
cents adults,
10 cents for
children;
Evening: 2535-50 cents

Matinee: 1025 cents;
evening:
25-35-50

The Hobo and the
Lady

Rogers &amp; Grilley

Concert: Vocal
&amp; Harp

J.M. Hill

Musical:
Farcical
Comedy in 3
Acts

Manhattan Gaiety
Girls
J.C. Rockwell's
Sunny South Co.

Variety/
Vaudeville

Director

Performers

Mr. Will H.
Dorbin, Miss
Bernice Trousdale

Company A
2nd Infantry
M.N.G.

Play: 4 Act
Comedy

The Country Boy

50 cents
upstairs, 75
downstairs

Sponsored
by

Henry B.
Harris

YMCA

Locals George H.
Hoskyn, Lew
Johnson, Mrs.
Susan Hoskyns
Alfred Cooper,
Frank McCormack,
Dean Borup, Frank
E. Jamison, George
Svaheffer, Olive
Templeton, Elda
Furry, Charlotte
Langdon, Nellie
Fillmore
Van Veachton
Rogers, Charles F.
Grilley

Billy
Ward

Variety: Singing,
dancing,
specialties of
Negro

Burdick, 185

�Day

Date

Year

Ticket
price

Name of
show/lecture topic

Company name

cents

Type of event

Sponsored
by

Director

Performers

characteristics

Fri

Feb 9

1912

25-5-75
Paid in Full
cents and $1
25-35-50
cents
50 cents

Tues

Feb 13

1912

Wed

Feb 14

1912

Fri

Feb 23

1912

Mon
Tues
Wed
Thurs
Sat

Feb 26
Feb 27
Feb 28
Feb 29
March
1
March1
and 2
March
2
March
5

1912
1912
1912
1912
1912

1912

No charge

March
7

1912

"Epic of the Negro- a
story of 300 years"

Fri-Sat March
8-9
Tues
March
12

1912

50 cents
downstairs;
75 upstairs
10 cents
25-35-50
cents

Sylvia

C.S. Primrose

Play: American

Thos. P. Kelley's
Minstrel/
Plantation Show
Colored Carnival
Phidelah Rice *missed Impersonation
YMCA

Marvelous Craig

train connection/show

SatSun
Sun
Tues

Thurs

10-20-30
cents

Based readings on
"The Singular Life"
The Last Round Up
The Village Gossips
The Banker's Child
What Money Will Do
The Price He Paid

1912

Old Farmer Allen

1912

The Girl From the
West
"Should saloons be
banished from the
state?"

1912

"Dante's Inferno"

Adrian Newens
*in place of Rice
Shannon Stock Co.

Lecture/
Impersonation
Plays &amp;
Vaudeville

YMCA

Dickinson's
orchestra; Seaborn
Wright, speaker

[Orchestra prior
to ] Lecture/
Meeting

Branch
Co. AntiSaloon
League

St. Charles Catholic
School orchestra,
vocal solos by locals
Mrs. Fern Doerr
Broughton, William
Alt, Mrs. Alliene
Claxton, Mrs. W.A.
Grifith.; sax solo by
Homer Dickinson

YMCA

Mr. Henry F.
Coleman, Mr.
Louis Johnson

Dixie Chorus Concert Play: Musical

Animated
Illustration
Play: Operetta
in 2 Acts

Harry, Hazel,
Lorene, and Harry
Jr. Shannon

Coldwater
High

Phyllis Jackson,
Mrs.
Clyde
Doerr,
Broughton
Burdick, 186

�Day

Date

Year

Ticket
price

Name of
show/lecture topic

Company name

Type of event

Sponsored
by

Director

William Alt, Fern
Doerr Broughton,
Roscoe Stewart,
Margaret Rose

School

Thurs

March
14
March
15

1912

March
16
March
23

1912
1912

25-50-75
cents, $1
and $1.50

March
24
March
25
March
27

1912

No
admission

Sat

March
30

1912

Sun

March
31

1912

Wed

April 3

1912

Fri

Sat
Sat

Sun
Mon
Wed

1912

10-20-30-50 Pardners
cents
Power of the Cross

1912
1912

25-50-75
cents, $1
and $1.50

Matinee:
children 10
cents, adults
25 cents;
Evening: 2535-50 cents

35-50-75

Vanda Enos Players
&amp; the Camiljo Co.

Musical:
Western
Comedy
Mr. Woolley
Alert L. Blair

Lecture/
Meeting
Lecture
Play: Musical
Review

Joseph E.
Howard

Jess Harris, Miss
Betty Caldwell,
house musicians to
augment the
orchestra

YMCA
Charles A. Harry B. Watson,
Nellie Waters,
Sellon

George E. Wakefield,
JO. Campbell,
Lawrence Gotthard,
Matty Martz

Play: Comedy

The Missouri Girl

Influence toward
increasing the
number of dry voters
Mutt &amp; Jeff

Vanda Enos,
violinist

Play: Comedy
Play: Pastoral
Comedy Drama
in 3 Acts
Play

The Girl of the
Sierras
The Flower of the
Ranch

Fighting the liquor
traffic
"The Whir of the
Newspaper Press"
The Cat and the
Fiddle

Performers

Father Dennis A.
Hayes

Local Option
Meeting
Play: Musical

Gus Hill

Mssrs Gray and

Burdick, 187

�Day

Date

Year

Mon

April 8

1912

Tues
Wed

April 9
April
10

1912
1912

Thurs

April
11
April
12

1912

Fri

Sat
Sat
Tues
&amp;
Wed

1912

April
1912
13
April
1912
13
April
1912
16 &amp;17

Ticket
price

cents-$1
10-20-30
cents
Parquet
circle, 30
cents;
parquet, 20
cents; upper
two floors,
10 cents
10-20-30
cents
First floor,
30 cents;
dress circle,
20 cents;
gallery 10
cents
10 cent
matinee

25-35-50
cents

Name of
show/lecture topic

The Minister and the
Maid
The Price of Silence
The Tie that Binds

Company name

Alvarado Players

Type of event

Play: Comedy

Captured by
Wireless–a play
founded on the
famous Dr. Crippen
(of Coldwater) case

Play

The Girl of Eagle
Ranch
FiFi of the Toy Shop

Director

Performers

DeWitt
Andrew Waldron

Comedy
Play: Rural
Comedy Drama
Play
Play: American

A Runaway Match

?

Sponsored
by

Play
Play: Western
Play: Musical
Comedy in 3
Acts

Presbyterian

Sisterhood

Director
Mr. Harry
Emmet
Munsey,
musical
directoress

Miss
Warsabo

Locals; 150 people:
Mare Welch, Clare
Wise, Mrs. Alliene
Claxton, Frank Ott,
Edward Hutchinson,
Chas Hendricks,
Miss Luella Taylor,
Miss Dorothy Pray,
Miss Esther Sloman,
Miss Mae Miller,
Hugh VanAken ,
Guy Finca, Charles

Burdick, 188

�Day

Date

Year

Ticket
price

Name of
show/lecture topic

Company name

Type of event

Sponsored
by

Director

Performers

Daniels, Mrs. Foy
Shattuck, Miss Sallie
Smullen, Clyde
Doerr, Margaret
Rose

Fri

April
26

1912

Prices 3550-75 cents,
$1 and
$1.50

Martha and Il
Trovatore

Charles A. Cast of 40+,
including Ed
Sellon

Play: Musical
extravaganza

Cow and the Moon

Tues

April
30

1912

LeBrun Grand Opera
Co.

Concert: Opera

YMCA

Musical
director
W. H.
Humiston

Fri

May 3

1912

Prices 2550-75 and
$1

Beverly

Play

Thurs

May 9

1912

25-35-50
cents

Across the Rio
Grande

Play: Mexican
Comedy Drama

Coldwater
Lodge
Fraternal
Order of
Eagles

Mr. &amp;
Mrs. Mac
Dowell

Tues
&amp;
Wed

May 21 1912
&amp; 22

The National
Troubadours

Variety:
Character
Sketch, Drills,
Dance Steps,
Solos

St.
Agatha's
Guild of
St. Mark's
church

Miss
Geraldine
Parrotte

Oscar
Eagle

Gilmore, Wm.
Gross, Clarence
Sterling, Walter
Wilson, Hazel
Rice, Maude
Amanda Scott.
Mme. Antoinette
LeBrun, soprano;
Miss Dorothy
Wilson, contralto;
Fritz N. Huttmann,
tenor
Dorothy Howard,
Florence Radinoff,
Lawrence Evart,
Boyd M. Turner
Local talent: Lewis
P. Johnson, S.C.
Creighton, Herbert J.
Revello, W.A.
McDowell, Wm. J.
Roach, W.O.
Larabee, Lulu M.
Newton, June Mack,
Vina M. Noel
Neva Kennedy,
pianist; Grace Jones,
Sallie Smullen, E. L
Miner, Dr. Cook,
Miss Parrotte, Miss
Charlote Brewer and

Burdick, 189

�Day

Date

Year

Ticket
price

Name of
show/lecture topic

Company name

Type of event

Sponsored
by

Director

Performers

Maurice Payne. Guy
inch, Hugh
VanAken, Dorothy
Pray, Hugh
VanAken, Marion
Nestl

Sun

May 26 1912

Fri

May 24 1912

May Festival

Thurs
Wed

June 6 1912
June 12 1912

Commencement
Play

SatSun

June 15 1912
&amp; 16

Tues

Reno the Great
Magician

A Midsummer Night's
Dream
**rescheduled for
August

Magic Show

Ben Greet Players

Vaudeville

June 18 1912

50-75 cents
and $1

Aug 6
******

1912

$1, 75 and
50 cents

1912

10-20-30
cents; ladies
free.

Ellery's Greatest
Band

Concert: Band

A Midsummer Night's
Dream

Ben Greet Players

Play: Musical
Drama

The Straight Road

Margy South Stock
Co./Culhane's
Comedians

Play: Comedy
Drama in 4 Acts

SEASON
OPENER

******
Mon

Aug 12

YMCA
Fern Doer
Broughton,
musician &amp;
instructor;
Neva
Kennedy,pia
nist

Local talent

Phi
Gamma
Sorority
Director
Taddeo di
Girolamo
YMCA

Pupils of different
grades of city
schools; Stone's
orchestra

50+ people; Croce
Margadonna,
Joseph Giulii,
Antonio Decimo
25 players,
including Ruth
Vivian;
accompanied with
Mendelssohn's
exquisite music.
Miss Margy South
Clementine W.
Felix, Lottie

Burdick, 190

�Day

Date

Year

Ticket
price

Name of
show/lecture topic

Tues

Aug 13

1912

15 cents
downstairs,
10 cents
upstairs

The Final Settlement

Play

Wed
Thurs

Aug 14
Aug15

1912
1912

Play
Play

Fri

Aug 16

1912

A False Friend
The Lights of New
York
Du Barry

10-20-30
cents

**replaced previously
announced show**

Sat

Aug 17

1912

Sat

Aug 17

1912

**All of these shows
were originally listed in
the paper as well for the
week's engagements with
the company, but specific
dates were not.

Matinee: 10
cents
evening
10-20-30
cents

Wed

Aug 28

1912

50-75 cents,
$1, Box
chairs are
$1.50

Mon

Sept 9

1912

Tues

Sept 10 1912

10-20 cents,
upper
floors;

Little Miss Nobody

Company name

Type of event

Sponsored
by

Director

Performers

Weston, Harry
Warner, Art
Atkins, Robert
Coe, Edwin Ness,
Will E. Culhane

Play: Historical
French
Margy South Stock
Co./Culhane's
Comedians (cont.)

Play

Billy's First Love
That Real Show
For Love and Honor

Play: Comedic
Play
Play

The Midnight Express

Play

St. Elmo
Nedra
The Fighting Chance

Play
Play
Play

Lena Rivers
No Mother to Guide
Her
The Servant in the
House

Play
Play

Alice of Old
Vincennes
Everybody's Doing It

Play

Play: Miracle
and Morality

Edward Doyle Stock

Play: Comedic

Musical
director,
Robert Coe

Henry
Miller,
director;
Merle H.
Norton,
producer

Victor Lambert,
Blanche Morrison

Louise Brown, star;
J.F. Marlow,
leading man;

Burdick, 191

�Day

Date

Year

Ticket
price

Sponsored
by

Name of
show/lecture topic

Company name

Type of event

Wed
Sept 11 1912 30-50 cents
Thurs Sept 12 1912
*Originally scheduled for
Thursday night
Fri
Sept 13 1912
Sat
Sept 14 1912 Matinee:
10-20 cents
Sat
Sept 14 1912 10-20-30-50
cents
Tues
Sept 17 1912 25-50-75
cents and $1

The Parish Priest
Last Night
My Wife's Gone to
the Country
The Country Girl
Sapho

Company

Play
Play
Play

The Factory Girl

Edward Doyle Co. (cont.)

Play

The Rosary

Rowland &amp; Clifford

Play

Wed

Sept 25 1912

50-75 cents,
$1 and
$1.50

The Flirting Princess

Play: Musical
Comedy

Fri

Sept 27 1912

Oliver Twist

Motion Pictures:
Photo Play

Mr. Nat Goodwin

Mon
Tues

Sept 30 1912
Oct 1
1912

The One Girl
Thelma

Wed
Thurs
Fri
Sat

Oct 2
Oct 3
Oct 4
Oct 5

1912
1912
1912
1912

10-15-25
cents
10-20-30
cents. First
Night
Courtesies
to Ladies

Play
Play: 4 Act
Comedy Drama
Play
Play
Play
Play

Sat

Oct 5

1912

Margy Southwell,
Harry Warner,
Clementina St.
Fleix Sally St.
Felix, Lottie
Watson, Andrew
Ness, Art Atkins,
Wm. H. Chase,
Harry Cue, Will E.
Culhane

Matinee: 10
cents
Evening:

Director

Rego the famous
Italian harpist;
Doyle Bros,
jugglers; and Miss
Melba Glanton,
W.J. Vance, W. E.
LaRose

Play
Play

Culhane's
The Mountain Girl
Comedians/ the
Lena Rivers
The Turn of the Road Arlington Stock Co.
Tempest and
Sunshine
The Trail of the North

Play

Performers

Mort H.
Singer

Blosser Jennings,
Florence Wright,
Eleanor Rella, Harry
Price, Nettie De
Goursey, Reginald
Knorr, Henry Garron,
Thos. Kilday, A. C.
Van Slyke
Harry Bulger, Helen
Darling, Fileen
Sheridan, Dale
Fuller, Herbert
Heywood, Harry
Dickerson, large
chorus of "American
Beauties."

Burdick, 192

�Day

Date

Year

**All of these shows
were originally listed in
the paper as well for the
week's engagements with
the company, but specific
dates were not.
Mon
Oct 7
1912

Ticket
price

10-20-30
cents
10-20-30
cents

Name of
show/lecture topic

Company name

Sponsored
by

Director

Play
Republican
Rally

Tues

Oct 8

1912

Thurs

Oct 10

1912

Fri

Oct 11

1912

25-50-75
cents, $1
and $1.50

The Littlest Rebel

Play: 4 Act
Civil War

A.H.
Woods

Thurs

Oct 17

1912

25-35-50
cents,
Children
w/parents, 15
cents

Uncle Tom's Cabin

Play

Kibble
and
Martin

Fri-Sat Oct 18- 1912
19

The Shepherd of the
Hills

Performers

Play
Play
Play
Play

From Sire to Son
For Home and Honor
The Story of Life
The Girl from Smoky
Hollow
Money (Honey?) Mad
Senator Charles E.
Townsend,
candidate/speaker

25-50-75
cents &amp; $1

Type of event

Rowland &amp; Clifford

Play

Woodbridge Ferris &amp;
Claude Carney,
candidates/speakers
for governor and
congress

Democrat
Campaign
Lecture

Mullen's (Hellman's?) Circus,
Dog and Cat Circus
Vaudeville

Producers
Messrs
Gaskill
and
MacVitty

Music by
Coldwater male
quartet and city
band
Margaret O'Brien,
Louis Ramsdell,
Thomas Fitzgerald,
Halley Myers, Lew
Silvers,
Montgomery
Holland

Violet Savoy, Mr.
Farnum, Mr.
Walter Ryder (a
local boy)

Wellman the
magician

Burdick, 193

�Day

Date

Year

Thurs

Oct 24

1912

Mon

Oct 28

1912

Thurs

Oct 31

1912

Fri

Nov 1

1912

$1-75-50
cents

John Phillip Sousa &amp;
his Band

Concert

Thurs

Nov 7

1912

25-35-50-75 A Fountain of Mirth
cents

DeRue Bros. Ideal
Minstrels

Minstrel Show:
Vaudeville
Acts,
Impersonator,
Jokesters

TuesWed

Nov
12-13

1912

Fri

Nov 15

1912

Ticket
price

25-35-50
cents

Name of
show/lecture topic

Whaling, Paris, and
Nature
He Fell in Love With
His Wife

Company name

Type of event

Hon. John M.C.
Smith
Lyman H. Howe

Rally

Evalyn Bargelt and
her company

Sponsored
by

Travelogue/
Travel Festival
Play

Director

Performers

Mr. Gus
Bothner

Charles R.
Johnson

Minstrel Show:
Singers,
Dancers

Fortnightly
Ladies

Variety:
Crayoned
Drawings &amp;
Readings,
Musical

YMCA

Virginia Root,
soprano; Nicoline
Zedeler, violinist;
Herbert L. Clark,
cornet virtuoso
Billy and Bobby
DeRue, Fox
Brothers, Gold Dust
Twins, Leo Dube,
Vonder and Delmare,
the Golden City
Quartette, the Empire
Musical Trio
Locals: Laura Pullen,
Charlotte Dunks ,
Alliene Claxton,
Nina Cocks, Florence
Beers, Celia Hurley,
Fern Broughton, Ella
Spofford, Mabel
Hilton, Mrs. Roy
Shattuck, Four
Gnomes, Misses
Root, Calkins, Moore
and Brewer, Mrs.
A.B.Walker, Fern
Broughton

Burdick, 194

�Day

Date

Year

Sat

Nov 16

1912

Wed

Nov 27

1912

Thurs

Nov 28

1912

Fri
Sat

Nov 29
Nov 30

1912
1912

Tues

Dec 3

1912

Thurs

Dec 5

1912

Fri
Wed

Dec 6
Dec 11

1912
1912

Thurs

Dec 12

1912

Ticket
price

Evening: 2535-50-75
cents, boxes
$1; Matinee:
25-35 cents,
children 15
cents
25-35-50-75
cents and $1

Name of
show/lecture topic

The White Sister

35-50-75
cents and $1

Type of event

Dan Cupid &amp; Co.

Play

National Theatre

Vaudeville

Satan Sanderson

Play: Drama

The Only Son

Play

A Hungry People
Scientific
Demonstration
The Divorce Question

Sponsored
by

Program
Play

Faust

10-25 cents
matinee
Evening prices
are 25-35-50
cents.
25-35-50 cents
(other article
says 10-20
cent prices
matinee, night
10-20-30
seats)

35-50-75
cents and $1
35 cents to
$1.50

Company name

Sylvester A. Long
Prof. Reno B.
Wlbourn, scientist
Rowland &amp; Clifford

Lecture
Lecture
Play

Director

Performers

Messrs.
Manley &amp;
Campbell

Mr. George
Wakefield, Mina
Manley

Miss Clara Lewis,
Laura Jean Libby,
Dorothy Dix

Jessie
Bonstelle

Norman Hackett
Thomas W. Ross
and the original
company

YMCA

Willis Hall,
Edmund Caroll,
Douglas Lawrence,
Barbara Douglas,
Grace Nile

Burdick, 195

�Day

Date

Year

Company name

Type of event

Sponsored
by

Fri

Dec 13

1912

The Hussars

YMCA

Dec 18

1912

Oberlin College Glee
Club

Musical
Program
Concert

Wed

Dec 21
(?)
WedDec
Thurs 25-26
Fri-Sat Dec
27-28

1912

1912

10 cents

Tues

1912

10-20-30
cents

Dec 31

Ticket
price

Name of
show/lecture topic

"All the World's a
Stage"

1912

Lyman H. Howe
Gus Sun's Ohio
Vaudeville Circuit
Michigan National
Guard

A Holiday in Dixie

LeVard's Dixie
Minstrels

Director

Performers

J.E.
Wirkler

L.A. Cok, J.G. Gray,
C.W. Johnson, E.U.
McKee, R.S. Sargent,
D. Bradley, R.L.
Curtis, B.R. Gibler,
A.S. Sprunger, R.I.
Watkins, H.D. Haas,
C.T Habegger, R.F.
Kimball, T.O. Wedel,
E.R. Kimball, W.T.
Martin, W.W.
Swisher, J.E. Wirkler

Travelogue/
Travel Festival
Vaudeville
Military
Movies; Lecture
by Major M.M.
Phillips of
Owosso
Minstrel Show:
Comedians,
Creole Dancers,
Vaudeville

Burdick, 196

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&lt;li&gt;John Jackson Management, 1912&lt;/li&gt;&#13;
&lt;li&gt;Legitimate Drama&lt;/li&gt;&#13;
&lt;li&gt;Concerts C. Lectures, Campaigns, and Misc. Uses&lt;/li&gt;&#13;
&lt;li&gt;Travelogues, Animated Illustrations, &amp;amp; Moving Pictures&lt;/li&gt;&#13;
&lt;li&gt;Vaudeville, Minstrels, &amp;amp; Magic&lt;/li&gt;&#13;
&lt;li&gt;Summary&lt;/li&gt;&#13;
&lt;li&gt;Works Cited&lt;/li&gt;&#13;
&lt;li&gt;Appendix A-Advertisements of 1912&lt;/li&gt;&#13;
&lt;li&gt;Appendix B-Press Release Photos of 1912&lt;/li&gt;&#13;
&lt;li&gt;Appendix C-Opera House Datebook of 1912&lt;/li&gt;&#13;
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                <text>(c) Copyright 2011 by Stephanie Burdick, all rights reserved. Posted here with permission of the author.</text>
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&lt;p&gt;This collection is an index of the names on the Veteran's Memorial Wall in &lt;a href="https://maps.google.com/maps?q=union+city+michigan&amp;amp;ll=42.066054,-85.134321&amp;amp;spn=0.002419,0.002342&amp;amp;hnear=Union+City,+Branch,+Michigan&amp;amp;t=h&amp;amp;z=19&amp;amp;layer=c&amp;amp;cbll=42.066054,-85.134321&amp;amp;panoid=cFstMhOCXrt8iGlGET_EPQ&amp;amp;cbp=12,48.29,,0,-2.06"&gt;Union City, Michigan&lt;/a&gt;. Biographical information and photographs will be presented when they are available.&lt;/p&gt;&#13;
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&lt;li&gt;F = FRONT - Front side of the wall is facing the bridge.&lt;/li&gt;&#13;
&lt;li&gt;B = BACK - Back side of the wall is facing the flag.&lt;/li&gt;&#13;
&lt;li&gt;C = CENTER - Larger column of names are in the middle of the wall.&lt;/li&gt;&#13;
&lt;li&gt;R = RIGHT SIDE - All names to the right side of center column.&lt;/li&gt;&#13;
&lt;li&gt;L = LEFT SIDE - All columns of names to the left side of center column.&lt;/li&gt;&#13;
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&lt;img src="/images/union_city_veterans_wall_key.png" alt="Veteran's Wall Key" /&gt;&#13;
&lt;p&gt;For example, Thomas Madden's Veteran's location number is &lt;strong&gt;BR-7-16&lt;/strong&gt;. His name is on the back of the wall, right side of the center column, in the 7th column, and the 16th name from the top. &lt;br /&gt; (&lt;strong&gt;B&lt;/strong&gt;ack &lt;strong&gt;R&lt;/strong&gt;ight - column &lt;strong&gt;7&lt;/strong&gt; - &lt;strong&gt;16&lt;/strong&gt;th from top) - &lt;strong&gt;BR - 7 - 16&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;For example, John R Lake's Veteran's location number is &lt;strong&gt;FL-4-08&lt;/strong&gt;. His name is on the front of the wall, left side of the center column, in the 4th column, and the 8th name from the top.&lt;br /&gt; (&lt;strong&gt;F&lt;/strong&gt;ront &lt;strong&gt;L&lt;/strong&gt;eft - column &lt;strong&gt;4&lt;/strong&gt; - &lt;strong&gt;8&lt;/strong&gt;th from top): &lt;strong&gt;FL - 4 - 8&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Veteran's Wall is made by the American Legion Post #196. This Veteran's Wall index was made by Kathyleen Madden and presented by the Branch District Library.&lt;/p&gt;&#13;
&lt;p&gt;If you have a question or wish to add information to this index, please write to us via the "&lt;a href="https://www.branchdistrictlibrary.org/contact_us"&gt;Contact Us&lt;/a&gt;" link on any page, or:&lt;/p&gt;&#13;
&lt;dl&gt;&lt;dd&gt;American Legion Post #196&lt;/dd&gt;&lt;dd&gt;Attention: Bob Miller&lt;/dd&gt;&lt;dd&gt;P.O. Box 131&lt;/dd&gt;&lt;dd&gt;Union City, MI 49094-0131&lt;/dd&gt;&lt;/dl&gt;&#13;
&lt;p&gt;-or-&lt;/p&gt;&#13;
&lt;dl&gt;&lt;dd&gt;Kathyleen Madden&lt;/dd&gt;&lt;dd&gt;3467 9 1/2 Mile Road&lt;/dd&gt;&lt;dd&gt;Burlington, MI 49029-8736&lt;/dd&gt;&lt;/dl&gt;</text>
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&lt;p&gt;This collection is an index of the names on the Veteran's Memorial Wall in &lt;a href="https://maps.google.com/maps?q=union+city+michigan&amp;amp;ll=42.066054,-85.134321&amp;amp;spn=0.002419,0.002342&amp;amp;hnear=Union+City,+Branch,+Michigan&amp;amp;t=h&amp;amp;z=19&amp;amp;layer=c&amp;amp;cbll=42.066054,-85.134321&amp;amp;panoid=cFstMhOCXrt8iGlGET_EPQ&amp;amp;cbp=12,48.29,,0,-2.06"&gt;Union City, Michigan&lt;/a&gt;. Biographical information and photographs will be presented when they are available.&lt;/p&gt;&#13;
&lt;p&gt;Each veteran's name is associated with a location number, representing the position on the Memorial Wall where the name may be found. The number is comprised of the following parts:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;F = FRONT - Front side of the wall is facing the bridge.&lt;/li&gt;&#13;
&lt;li&gt;B = BACK - Back side of the wall is facing the flag.&lt;/li&gt;&#13;
&lt;li&gt;C = CENTER - Larger column of names are in the middle of the wall.&lt;/li&gt;&#13;
&lt;li&gt;R = RIGHT SIDE - All names to the right side of center column.&lt;/li&gt;&#13;
&lt;li&gt;L = LEFT SIDE - All columns of names to the left side of center column.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;img src="/images/union_city_veterans_wall_key.png" alt="Veteran's Wall Key" /&gt;&#13;
&lt;p&gt;For example, Thomas Madden's Veteran's location number is &lt;strong&gt;BR-7-16&lt;/strong&gt;. His name is on the back of the wall, right side of the center column, in the 7th column, and the 16th name from the top. &lt;br /&gt; (&lt;strong&gt;B&lt;/strong&gt;ack &lt;strong&gt;R&lt;/strong&gt;ight - column &lt;strong&gt;7&lt;/strong&gt; - &lt;strong&gt;16&lt;/strong&gt;th from top) - &lt;strong&gt;BR - 7 - 16&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;For example, John R Lake's Veteran's location number is &lt;strong&gt;FL-4-08&lt;/strong&gt;. His name is on the front of the wall, left side of the center column, in the 4th column, and the 8th name from the top.&lt;br /&gt; (&lt;strong&gt;F&lt;/strong&gt;ront &lt;strong&gt;L&lt;/strong&gt;eft - column &lt;strong&gt;4&lt;/strong&gt; - &lt;strong&gt;8&lt;/strong&gt;th from top): &lt;strong&gt;FL - 4 - 8&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Veteran's Wall is made by the American Legion Post #196. This Veteran's Wall index was made by Kathyleen Madden and presented by the Branch District Library.&lt;/p&gt;&#13;
&lt;p&gt;If you have a question or wish to add information to this index, please write to us via the "&lt;a href="https://www.branchdistrictlibrary.org/contact_us"&gt;Contact Us&lt;/a&gt;" link on any page, or:&lt;/p&gt;&#13;
&lt;dl&gt;&lt;dd&gt;American Legion Post #196&lt;/dd&gt;&lt;dd&gt;Attention: Bob Miller&lt;/dd&gt;&lt;dd&gt;P.O. Box 131&lt;/dd&gt;&lt;dd&gt;Union City, MI 49094-0131&lt;/dd&gt;&lt;/dl&gt;&#13;
&lt;p&gt;-or-&lt;/p&gt;&#13;
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&lt;p&gt;This collection is an index of the names on the Veteran's Memorial Wall in &lt;a href="https://maps.google.com/maps?q=union+city+michigan&amp;amp;ll=42.066054,-85.134321&amp;amp;spn=0.002419,0.002342&amp;amp;hnear=Union+City,+Branch,+Michigan&amp;amp;t=h&amp;amp;z=19&amp;amp;layer=c&amp;amp;cbll=42.066054,-85.134321&amp;amp;panoid=cFstMhOCXrt8iGlGET_EPQ&amp;amp;cbp=12,48.29,,0,-2.06"&gt;Union City, Michigan&lt;/a&gt;. Biographical information and photographs will be presented when they are available.&lt;/p&gt;&#13;
&lt;p&gt;Each veteran's name is associated with a location number, representing the position on the Memorial Wall where the name may be found. The number is comprised of the following parts:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;F = FRONT - Front side of the wall is facing the bridge.&lt;/li&gt;&#13;
&lt;li&gt;B = BACK - Back side of the wall is facing the flag.&lt;/li&gt;&#13;
&lt;li&gt;C = CENTER - Larger column of names are in the middle of the wall.&lt;/li&gt;&#13;
&lt;li&gt;R = RIGHT SIDE - All names to the right side of center column.&lt;/li&gt;&#13;
&lt;li&gt;L = LEFT SIDE - All columns of names to the left side of center column.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;img src="/images/union_city_veterans_wall_key.png" alt="Veteran's Wall Key" /&gt;&#13;
&lt;p&gt;For example, Thomas Madden's Veteran's location number is &lt;strong&gt;BR-7-16&lt;/strong&gt;. His name is on the back of the wall, right side of the center column, in the 7th column, and the 16th name from the top. &lt;br /&gt; (&lt;strong&gt;B&lt;/strong&gt;ack &lt;strong&gt;R&lt;/strong&gt;ight - column &lt;strong&gt;7&lt;/strong&gt; - &lt;strong&gt;16&lt;/strong&gt;th from top) - &lt;strong&gt;BR - 7 - 16&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;For example, John R Lake's Veteran's location number is &lt;strong&gt;FL-4-08&lt;/strong&gt;. His name is on the front of the wall, left side of the center column, in the 4th column, and the 8th name from the top.&lt;br /&gt; (&lt;strong&gt;F&lt;/strong&gt;ront &lt;strong&gt;L&lt;/strong&gt;eft - column &lt;strong&gt;4&lt;/strong&gt; - &lt;strong&gt;8&lt;/strong&gt;th from top): &lt;strong&gt;FL - 4 - 8&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Veteran's Wall is made by the American Legion Post #196. This Veteran's Wall index was made by Kathyleen Madden and presented by the Branch District Library.&lt;/p&gt;&#13;
&lt;p&gt;If you have a question or wish to add information to this index, please write to us via the "&lt;a href="https://www.branchdistrictlibrary.org/contact_us"&gt;Contact Us&lt;/a&gt;" link on any page, or:&lt;/p&gt;&#13;
&lt;dl&gt;&lt;dd&gt;American Legion Post #196&lt;/dd&gt;&lt;dd&gt;Attention: Bob Miller&lt;/dd&gt;&lt;dd&gt;P.O. Box 131&lt;/dd&gt;&lt;dd&gt;Union City, MI 49094-0131&lt;/dd&gt;&lt;/dl&gt;&#13;
&lt;p&gt;-or-&lt;/p&gt;&#13;
&lt;dl&gt;&lt;dd&gt;Kathyleen Madden&lt;/dd&gt;&lt;dd&gt;3467 9 1/2 Mile Road&lt;/dd&gt;&lt;dd&gt;Burlington, MI 49029-8736&lt;/dd&gt;&lt;/dl&gt;</text>
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          <name>Lcation Number</name>
          <description>number for each Veteran on the wall</description>
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&lt;p&gt;This collection is an index of the names on the Veteran's Memorial Wall in &lt;a href="https://maps.google.com/maps?q=union+city+michigan&amp;amp;ll=42.066054,-85.134321&amp;amp;spn=0.002419,0.002342&amp;amp;hnear=Union+City,+Branch,+Michigan&amp;amp;t=h&amp;amp;z=19&amp;amp;layer=c&amp;amp;cbll=42.066054,-85.134321&amp;amp;panoid=cFstMhOCXrt8iGlGET_EPQ&amp;amp;cbp=12,48.29,,0,-2.06"&gt;Union City, Michigan&lt;/a&gt;. Biographical information and photographs will be presented when they are available.&lt;/p&gt;&#13;
&lt;p&gt;Each veteran's name is associated with a location number, representing the position on the Memorial Wall where the name may be found. The number is comprised of the following parts:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;F = FRONT - Front side of the wall is facing the bridge.&lt;/li&gt;&#13;
&lt;li&gt;B = BACK - Back side of the wall is facing the flag.&lt;/li&gt;&#13;
&lt;li&gt;C = CENTER - Larger column of names are in the middle of the wall.&lt;/li&gt;&#13;
&lt;li&gt;R = RIGHT SIDE - All names to the right side of center column.&lt;/li&gt;&#13;
&lt;li&gt;L = LEFT SIDE - All columns of names to the left side of center column.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;img src="/images/union_city_veterans_wall_key.png" alt="Veteran's Wall Key" /&gt;&#13;
&lt;p&gt;For example, Thomas Madden's Veteran's location number is &lt;strong&gt;BR-7-16&lt;/strong&gt;. His name is on the back of the wall, right side of the center column, in the 7th column, and the 16th name from the top. &lt;br /&gt; (&lt;strong&gt;B&lt;/strong&gt;ack &lt;strong&gt;R&lt;/strong&gt;ight - column &lt;strong&gt;7&lt;/strong&gt; - &lt;strong&gt;16&lt;/strong&gt;th from top) - &lt;strong&gt;BR - 7 - 16&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;For example, John R Lake's Veteran's location number is &lt;strong&gt;FL-4-08&lt;/strong&gt;. His name is on the front of the wall, left side of the center column, in the 4th column, and the 8th name from the top.&lt;br /&gt; (&lt;strong&gt;F&lt;/strong&gt;ront &lt;strong&gt;L&lt;/strong&gt;eft - column &lt;strong&gt;4&lt;/strong&gt; - &lt;strong&gt;8&lt;/strong&gt;th from top): &lt;strong&gt;FL - 4 - 8&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Veteran's Wall is made by the American Legion Post #196. This Veteran's Wall index was made by Kathyleen Madden and presented by the Branch District Library.&lt;/p&gt;&#13;
&lt;p&gt;If you have a question or wish to add information to this index, please write to us via the "&lt;a href="https://www.branchdistrictlibrary.org/contact_us"&gt;Contact Us&lt;/a&gt;" link on any page, or:&lt;/p&gt;&#13;
&lt;dl&gt;&lt;dd&gt;American Legion Post #196&lt;/dd&gt;&lt;dd&gt;Attention: Bob Miller&lt;/dd&gt;&lt;dd&gt;P.O. Box 131&lt;/dd&gt;&lt;dd&gt;Union City, MI 49094-0131&lt;/dd&gt;&lt;/dl&gt;&#13;
&lt;p&gt;-or-&lt;/p&gt;&#13;
&lt;dl&gt;&lt;dd&gt;Kathyleen Madden&lt;/dd&gt;&lt;dd&gt;3467 9 1/2 Mile Road&lt;/dd&gt;&lt;dd&gt;Burlington, MI 49029-8736&lt;/dd&gt;&lt;/dl&gt;</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>2013</text>
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              <text>Thornton</text>
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          <name>First Name</name>
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              <text>Kenneth</text>
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          <name>Lcation Number</name>
          <description>number for each Veteran on the wall</description>
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              <text>BR-1-20</text>
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&lt;p&gt;This collection is an index of the names on the Veteran's Memorial Wall in &lt;a href="https://maps.google.com/maps?q=union+city+michigan&amp;amp;ll=42.066054,-85.134321&amp;amp;spn=0.002419,0.002342&amp;amp;hnear=Union+City,+Branch,+Michigan&amp;amp;t=h&amp;amp;z=19&amp;amp;layer=c&amp;amp;cbll=42.066054,-85.134321&amp;amp;panoid=cFstMhOCXrt8iGlGET_EPQ&amp;amp;cbp=12,48.29,,0,-2.06"&gt;Union City, Michigan&lt;/a&gt;. Biographical information and photographs will be presented when they are available.&lt;/p&gt;&#13;
&lt;p&gt;Each veteran's name is associated with a location number, representing the position on the Memorial Wall where the name may be found. The number is comprised of the following parts:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;F = FRONT - Front side of the wall is facing the bridge.&lt;/li&gt;&#13;
&lt;li&gt;B = BACK - Back side of the wall is facing the flag.&lt;/li&gt;&#13;
&lt;li&gt;C = CENTER - Larger column of names are in the middle of the wall.&lt;/li&gt;&#13;
&lt;li&gt;R = RIGHT SIDE - All names to the right side of center column.&lt;/li&gt;&#13;
&lt;li&gt;L = LEFT SIDE - All columns of names to the left side of center column.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;img src="/images/union_city_veterans_wall_key.png" alt="Veteran's Wall Key" /&gt;&#13;
&lt;p&gt;For example, Thomas Madden's Veteran's location number is &lt;strong&gt;BR-7-16&lt;/strong&gt;. His name is on the back of the wall, right side of the center column, in the 7th column, and the 16th name from the top. &lt;br /&gt; (&lt;strong&gt;B&lt;/strong&gt;ack &lt;strong&gt;R&lt;/strong&gt;ight - column &lt;strong&gt;7&lt;/strong&gt; - &lt;strong&gt;16&lt;/strong&gt;th from top) - &lt;strong&gt;BR - 7 - 16&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;For example, John R Lake's Veteran's location number is &lt;strong&gt;FL-4-08&lt;/strong&gt;. His name is on the front of the wall, left side of the center column, in the 4th column, and the 8th name from the top.&lt;br /&gt; (&lt;strong&gt;F&lt;/strong&gt;ront &lt;strong&gt;L&lt;/strong&gt;eft - column &lt;strong&gt;4&lt;/strong&gt; - &lt;strong&gt;8&lt;/strong&gt;th from top): &lt;strong&gt;FL - 4 - 8&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Veteran's Wall is made by the American Legion Post #196. This Veteran's Wall index was made by Kathyleen Madden and presented by the Branch District Library.&lt;/p&gt;&#13;
&lt;p&gt;If you have a question or wish to add information to this index, please write to us via the "&lt;a href="https://www.branchdistrictlibrary.org/contact_us"&gt;Contact Us&lt;/a&gt;" link on any page, or:&lt;/p&gt;&#13;
&lt;dl&gt;&lt;dd&gt;American Legion Post #196&lt;/dd&gt;&lt;dd&gt;Attention: Bob Miller&lt;/dd&gt;&lt;dd&gt;P.O. Box 131&lt;/dd&gt;&lt;dd&gt;Union City, MI 49094-0131&lt;/dd&gt;&lt;/dl&gt;&#13;
&lt;p&gt;-or-&lt;/p&gt;&#13;
&lt;dl&gt;&lt;dd&gt;Kathyleen Madden&lt;/dd&gt;&lt;dd&gt;3467 9 1/2 Mile Road&lt;/dd&gt;&lt;dd&gt;Burlington, MI 49029-8736&lt;/dd&gt;&lt;/dl&gt;</text>
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          <description>number for each Veteran on the wall</description>
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              <text>FL-7-09</text>
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                  <text>&lt;div style="float: right; margin: 10px 0 0 5px;"&gt;&lt;img style="background-color: #ffffff; border: 1px solid #a9a9a9; margin: -6px 6px 6px -6px; padding: 4px;" src="/images/union_city_veterans_wall_montage.jpg" alt="Veterans Wall Montage" /&gt;&lt;/div&gt;&#13;
&lt;p&gt;This collection is an index of the names on the Veteran's Memorial Wall in &lt;a href="https://maps.google.com/maps?q=union+city+michigan&amp;amp;ll=42.066054,-85.134321&amp;amp;spn=0.002419,0.002342&amp;amp;hnear=Union+City,+Branch,+Michigan&amp;amp;t=h&amp;amp;z=19&amp;amp;layer=c&amp;amp;cbll=42.066054,-85.134321&amp;amp;panoid=cFstMhOCXrt8iGlGET_EPQ&amp;amp;cbp=12,48.29,,0,-2.06"&gt;Union City, Michigan&lt;/a&gt;. Biographical information and photographs will be presented when they are available.&lt;/p&gt;&#13;
&lt;p&gt;Each veteran's name is associated with a location number, representing the position on the Memorial Wall where the name may be found. The number is comprised of the following parts:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;F = FRONT - Front side of the wall is facing the bridge.&lt;/li&gt;&#13;
&lt;li&gt;B = BACK - Back side of the wall is facing the flag.&lt;/li&gt;&#13;
&lt;li&gt;C = CENTER - Larger column of names are in the middle of the wall.&lt;/li&gt;&#13;
&lt;li&gt;R = RIGHT SIDE - All names to the right side of center column.&lt;/li&gt;&#13;
&lt;li&gt;L = LEFT SIDE - All columns of names to the left side of center column.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;img src="/images/union_city_veterans_wall_key.png" alt="Veteran's Wall Key" /&gt;&#13;
&lt;p&gt;For example, Thomas Madden's Veteran's location number is &lt;strong&gt;BR-7-16&lt;/strong&gt;. His name is on the back of the wall, right side of the center column, in the 7th column, and the 16th name from the top. &lt;br /&gt; (&lt;strong&gt;B&lt;/strong&gt;ack &lt;strong&gt;R&lt;/strong&gt;ight - column &lt;strong&gt;7&lt;/strong&gt; - &lt;strong&gt;16&lt;/strong&gt;th from top) - &lt;strong&gt;BR - 7 - 16&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;For example, John R Lake's Veteran's location number is &lt;strong&gt;FL-4-08&lt;/strong&gt;. His name is on the front of the wall, left side of the center column, in the 4th column, and the 8th name from the top.&lt;br /&gt; (&lt;strong&gt;F&lt;/strong&gt;ront &lt;strong&gt;L&lt;/strong&gt;eft - column &lt;strong&gt;4&lt;/strong&gt; - &lt;strong&gt;8&lt;/strong&gt;th from top): &lt;strong&gt;FL - 4 - 8&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Veteran's Wall is made by the American Legion Post #196. This Veteran's Wall index was made by Kathyleen Madden and presented by the Branch District Library.&lt;/p&gt;&#13;
&lt;p&gt;If you have a question or wish to add information to this index, please write to us via the "&lt;a href="https://www.branchdistrictlibrary.org/contact_us"&gt;Contact Us&lt;/a&gt;" link on any page, or:&lt;/p&gt;&#13;
&lt;dl&gt;&lt;dd&gt;American Legion Post #196&lt;/dd&gt;&lt;dd&gt;Attention: Bob Miller&lt;/dd&gt;&lt;dd&gt;P.O. Box 131&lt;/dd&gt;&lt;dd&gt;Union City, MI 49094-0131&lt;/dd&gt;&lt;/dl&gt;&#13;
&lt;p&gt;-or-&lt;/p&gt;&#13;
&lt;dl&gt;&lt;dd&gt;Kathyleen Madden&lt;/dd&gt;&lt;dd&gt;3467 9 1/2 Mile Road&lt;/dd&gt;&lt;dd&gt;Burlington, MI 49029-8736&lt;/dd&gt;&lt;/dl&gt;</text>
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                  <text>Kathyleen Madden</text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7897">
                  <text>2013</text>
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      <description/>
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        <element elementId="109">
          <name>Last Name</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19568">
              <text>Tiffany</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="110">
          <name>First Name</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19569">
              <text>Robert</text>
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        <element elementId="111">
          <name>Middle Name</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19570">
              <text>L.</text>
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        <element elementId="113">
          <name>Lcation Number</name>
          <description>number for each Veteran on the wall</description>
          <elementTextContainer>
            <elementText elementTextId="19571">
              <text>BL-7-24</text>
            </elementText>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Tiffany, Robert L.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Union City Veteran's Park Memorial Wall</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;div style="float: right; margin: 10px 0 0 5px;"&gt;&lt;img style="background-color: #ffffff; border: 1px solid #a9a9a9; margin: -6px 6px 6px -6px; padding: 4px;" src="/images/union_city_veterans_wall_montage.jpg" alt="Veterans Wall Montage" /&gt;&lt;/div&gt;&#13;
&lt;p&gt;This collection is an index of the names on the Veteran's Memorial Wall in &lt;a href="https://maps.google.com/maps?q=union+city+michigan&amp;amp;ll=42.066054,-85.134321&amp;amp;spn=0.002419,0.002342&amp;amp;hnear=Union+City,+Branch,+Michigan&amp;amp;t=h&amp;amp;z=19&amp;amp;layer=c&amp;amp;cbll=42.066054,-85.134321&amp;amp;panoid=cFstMhOCXrt8iGlGET_EPQ&amp;amp;cbp=12,48.29,,0,-2.06"&gt;Union City, Michigan&lt;/a&gt;. Biographical information and photographs will be presented when they are available.&lt;/p&gt;&#13;
&lt;p&gt;Each veteran's name is associated with a location number, representing the position on the Memorial Wall where the name may be found. The number is comprised of the following parts:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;F = FRONT - Front side of the wall is facing the bridge.&lt;/li&gt;&#13;
&lt;li&gt;B = BACK - Back side of the wall is facing the flag.&lt;/li&gt;&#13;
&lt;li&gt;C = CENTER - Larger column of names are in the middle of the wall.&lt;/li&gt;&#13;
&lt;li&gt;R = RIGHT SIDE - All names to the right side of center column.&lt;/li&gt;&#13;
&lt;li&gt;L = LEFT SIDE - All columns of names to the left side of center column.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;img src="/images/union_city_veterans_wall_key.png" alt="Veteran's Wall Key" /&gt;&#13;
&lt;p&gt;For example, Thomas Madden's Veteran's location number is &lt;strong&gt;BR-7-16&lt;/strong&gt;. His name is on the back of the wall, right side of the center column, in the 7th column, and the 16th name from the top. &lt;br /&gt; (&lt;strong&gt;B&lt;/strong&gt;ack &lt;strong&gt;R&lt;/strong&gt;ight - column &lt;strong&gt;7&lt;/strong&gt; - &lt;strong&gt;16&lt;/strong&gt;th from top) - &lt;strong&gt;BR - 7 - 16&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;For example, John R Lake's Veteran's location number is &lt;strong&gt;FL-4-08&lt;/strong&gt;. His name is on the front of the wall, left side of the center column, in the 4th column, and the 8th name from the top.&lt;br /&gt; (&lt;strong&gt;F&lt;/strong&gt;ront &lt;strong&gt;L&lt;/strong&gt;eft - column &lt;strong&gt;4&lt;/strong&gt; - &lt;strong&gt;8&lt;/strong&gt;th from top): &lt;strong&gt;FL - 4 - 8&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Veteran's Wall is made by the American Legion Post #196. This Veteran's Wall index was made by Kathyleen Madden and presented by the Branch District Library.&lt;/p&gt;&#13;
&lt;p&gt;If you have a question or wish to add information to this index, please write to us via the "&lt;a href="https://www.branchdistrictlibrary.org/contact_us"&gt;Contact Us&lt;/a&gt;" link on any page, or:&lt;/p&gt;&#13;
&lt;dl&gt;&lt;dd&gt;American Legion Post #196&lt;/dd&gt;&lt;dd&gt;Attention: Bob Miller&lt;/dd&gt;&lt;dd&gt;P.O. Box 131&lt;/dd&gt;&lt;dd&gt;Union City, MI 49094-0131&lt;/dd&gt;&lt;/dl&gt;&#13;
&lt;p&gt;-or-&lt;/p&gt;&#13;
&lt;dl&gt;&lt;dd&gt;Kathyleen Madden&lt;/dd&gt;&lt;dd&gt;3467 9 1/2 Mile Road&lt;/dd&gt;&lt;dd&gt;Burlington, MI 49029-8736&lt;/dd&gt;&lt;/dl&gt;</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                <elementText elementTextId="7896">
                  <text>Kathyleen Madden</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7897">
                  <text>2013</text>
                </elementText>
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      <name>Veteran's Memorial Wall of Union City</name>
      <description/>
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        <element elementId="109">
          <name>Last Name</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19573">
              <text>Tilliston</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="110">
          <name>First Name</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19574">
              <text>Richard</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="111">
          <name>Middle Name</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19575">
              <text>L.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="113">
          <name>Lcation Number</name>
          <description>number for each Veteran on the wall</description>
          <elementTextContainer>
            <elementText elementTextId="19576">
              <text>BL-6-23</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="19572">
                <text>Tilliston, Richard L.</text>
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